Antonín Dvořák - Omša D dur, op.86

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Antonín Dvořák - Omša D dur, op.86

Antonín Dvořák - Mass D Dur, Op.86

Event by: Spevácky zbor mesta Bratislavy

Location: Church of the Elevation of the Holy Cross, Klariská, Bratislava - Staré Mesto

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3.5.2025 | Klarisky | 19:00
Antonín Dvořák - Mass D Dur "Lužanská"
Leoš Janáček - Otčenáš

Bratislava Choir of Bratislava
Tatiana Hajzušová - Sopran
Eva Šušková - MezzoSoprana
Pavol Oravec - Tenor
Jiří Rajniš - Baritone

Katarína Turnerová - Harfa, Branislav Bielik - Violončelo, Richard Gašpar - double bass, Ján Prievoznik - double bass, Marek Janko - Organ, Andrea Bálešová - Harmonium

Cultural and Information Center
My Culture SK Exposice
Exposice Harmonium-Historie Prostějov
Ondřej Mucha & Jan Tomanek
www.harmonium-historie.cz
Predpatch.sk

From public sources supported the art fund


with Antonín Dvořák connecting typical elements such as simplicity of musical lines, warmth and sincerity, as well as natural humility to man and nature. 3. The solo groups will present excellent vocal quartet Tatiana Hajzušová (soprano), Eva Šušková (mezzosopran), Pavol Oravec (Tenor) and Jiří Rajniš (bass). The main source chose the second depreciation of Jana Elsnica's score with Dvořák's authentic added parties of Violončel and double bass, coming from the Novello Publishing House and currently stored in the British Library. According to historical sources Dvořák sent this form of Mass as his final version, but at the request of the Novello publishing house, it eventually finished the work for the orchestra for the release in 1892, causing this to make this composer's perspective more intimate version somehow wrongly forgotten. Later. The higher and honor of our lucky is that I do not have a religious, but we do not have anything to do. Write, Jinak should be hardly what the psal of a similar species was very much in the great, ”wrote Antonín Dvořák to a prominent architect, patron of art and later founder of the Czech Academy of Sciences, where The initiative in 1887 composed Mass D Dur Op. 86. In 1886, he had a new chapel to build a new chapel in 1886 at his summer residence, the castle in West Bohemia Lužany (thanks to which the Mass is also known with the subtitle "Lužanská"). The work is characterized by a clear invoice of the singing parties and, due to the small space of the Lužan chapel, the composer originally limited the instrumental parade only to the organ. The work respects the sequence of Catholic worship and consists of the usual parts of the classic Mass Ordinary. The immense charm of the abundant music of a technically seemingly moderate composition is characterized by invention in the area of ​​melody and harmony combining older church mods with time -modern procedures, which makes Mass qualitatively exceeds the nature of the occasional work and sovereign acts as a unique whole. Dvořák Mass was mostly at his summer residence in the high in the middle of his heart of nearby nature, and despite the fact that it was created from the external stimulus, the music felt that it composed it mainly for his pleasure.
The Prime Minister of the Mass was held at the consecration of the chapel in Lužany on September 11, 1887. He conducted Dvořák himself, the Sopran's soloist was the head of the woman Zdenka, the gaze car was taken by the composer's wife Anna. The first concert public introduction followed on April 15, 1888 at the Municipal Theater in Pilsen, also under the leadership of Dvořák.

The concert program is complemented by Otčenáš Leoš Janáček, whose original version was designed for a tenor solo, a mixed choir accompanied by piano, but later the composer prepared for harp and organ. In the leadership of melodic lines, the influence of the Moravian folk song and the dramatic course of music are clear to some extent brings hints to the opera her pastor.

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