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Archivácia reality + Zlodeji bicyklov
Archiving Reality + Bike Thieves
Event by: Filmový kabinet
Location: Špitálska 2206/4, Špitálska 4, Bratislava - Staré Mesto
Tickets: Get tickets
Discussions and lectures, Films
About event
🧐prednáška: The archiving of reality
The forties brings with it not only of great technological progress, but also represent a major change in the world order. Italian cinematography responds to these changes by trying to fulfill films as much as possible by the volume of authentic, lively reality. Neo -euroism is conceptually trying to get rid of any aesthetics that could embellish the presented reality. The pursuit of what J. M. Lotman calls aesthetics of freeness is so strong that neo -euroism is creatively exhausted, but at the same time inspires theorists for a long time. Social problems in Pobasistic Italy. Despite the use of many of Hollywood's film narration procedures, the image of everyday life is derived from our eyes. The ethical and social problem of preserving human dignity on the verge of keeping bare existence is only an extension of the direction established by director Vittorii De Sico and the artistic theoretical father of the neorealistic movement, screenwriter Cesarem Zavattini, who anchored neorealism on the humanistic foundations.
The forties brings with it not only of great technological progress, but also represent a major change in the world order. Italian cinematography responds to these changes by trying to fulfill films as much as possible by the volume of authentic, lively reality. Neo -euroism is conceptually trying to get rid of any aesthetics that could embellish the presented reality. The pursuit of what J. M. Lotman calls aesthetics of freeness is so strong that neo -euroism is creatively exhausted, but at the same time inspires theorists for a long time. Social problems in Pobasistic Italy. Despite the use of many of Hollywood's film narration procedures, the image of everyday life is derived from our eyes. The ethical and social problem of preserving human dignity on the verge of keeping bare existence is only an extension of the direction established by director Vittorii De Sico and the artistic theoretical father of the neorealistic movement, screenwriter Cesarem Zavattini, who anchored neorealism on the humanistic foundations.