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Arnold Kasar + Martina Bertoni
Arnold Rude + Martina Bertoni
Event by: silent green
Location: silent green Kulturquartier, Gerichtstraße 35, Berlin - Mitte
Tickets: Get tickets
Concerts
About event
silent green presents // silent green presents
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Arnold Kasar is a Berlin-based pianist, composer, producer and mastering engineer. Over the last three decades, his work has moved between ambient, electronics and contemporary classical, often without drawing clear boundaries between these genres.
He began his career in the Berlin club scene, releasing on the influential label Sonar Collective and performing with nu-jazz and electro chanson acts such as Micatone and Nylon. Through his collaboration with the performance artist Friedrich Liechtenstein, surreal, cross-genre pop came into his repertoire. A long-standing partnership with Hans-Joachim Roedelius, including their 2017 Deutsche Grammophon release Influence, cemented his reputation as a cross-generational mediator between musical worlds. His new album Spring Songs unfolds in eight distilled pieces - interconnected and yet self-contained - in which Kasar's piano floats in finely drawn electronic contours. The result is a sound world that feels both grounded and airy, analog and spectral, in which memory, structure and silence are equally present.
Martina Bertoni
Martina Bertoni is a Berlin-based composer and experimental cellist whose work “dissolves the boundaries between emotion and architecture” (A Closer Listen). She creates soundscapes in which control and resonance become flowing elements. Her artistic practice explores the ability of sound to alter perception through electroacoustic composition, generative systems, drone minimalism and destabilized moods, with timelessness often serving as a compositional framework. Her research focuses on the interface between embodied sound practices and post-instrumental identities - a central theme of her recent album Electroacoustic Works for Halldorophone (Karlrecords, 2025). In addition to her artistic work, Martina's cello playing and original compositions can be heard in numerous soundtracks for films, series and documentaries. She is currently a lecturer in the music department at the Catalyst Institute for Creative Arts and Technology in Berlin.
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Arnold Kasar is a Berlin-based pianist, composer, producer, and mastering engineer. Over the past three decades, his work has moved fluidly between ambient, electronic, and contemporary classical spaces–often erasing the distinctions between them.
He began his career in Berlin’s post-club landscape, releasing through the influential Sonar Collective label and performing with nu-jazz and electro-chanson acts such as Micatone and Nylon. His collaborations with performance artist Friedrich Liechtenstein introduced surreal, genre-fluid pop into his orbit. A long-running partnership with Hans-Joachim Roedelius, including their 2017 Deutsche Grammophon release Influence, cemented his standing as a cross-generational connector of musical worlds. His new album Spring Songs unfolds across eight distilled pieces–interconnected yet self-contained–where Kasar’s acoustic piano drifts within finely drawn electronic contours. The result is a sound world that feels both grounded and aerial, analogue and spectral–where memory, structure, and silence hold equal presence.
Martina Bertoni
Martina Bertoni is a Berlin-based composer and experimental cellist whose work “dissolves the boundaries between emotion and architecture” (A Closer Listen), crafting soundscapes where control and resonance become fluid entities. Her practice interrogates sound’s capacity to reshape perception through electroacoustic composition, generative systems, drone minimalism, and destabilized tunings, often employing timelessness as a compositional framework. Her research lies at the intersection of embodied sound practices and post-instrumental identities, an exploration central to her most recent album Electroacoustic Works for Halldorophone (Karlrecords, 2025). Beyond her artistic practice, Martina’s cello and original works have been featured in numerous soundtracks for films, series, and documentaries. She is currently a Lecturer at the Department of Music at Catalyst Institute for Creative Arts and Technology in Berlin.
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Thursday // Thursday, February 12th
Doors // Admission: 7:00 p.m.
Start: 8:00 p.m.
Kuppelhalle
Tickets: https://www.eventbrite.de/e/arnold-kasar-martina-bertoni-tickets-1777756440369
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Arnold Kasar is a Berlin-based pianist, composer, producer and mastering engineer. Over the last three decades, his work has moved between ambient, electronics and contemporary classical, often without drawing clear boundaries between these genres.
He began his career in the Berlin club scene, releasing on the influential label Sonar Collective and performing with nu-jazz and electro chanson acts such as Micatone and Nylon. Through his collaboration with the performance artist Friedrich Liechtenstein, surreal, cross-genre pop came into his repertoire. A long-standing partnership with Hans-Joachim Roedelius, including their 2017 Deutsche Grammophon release Influence, cemented his reputation as a cross-generational mediator between musical worlds. His new album Spring Songs unfolds in eight distilled pieces - interconnected and yet self-contained - in which Kasar's piano floats in finely drawn electronic contours. The result is a sound world that feels both grounded and airy, analog and spectral, in which memory, structure and silence are equally present.
Martina Bertoni
Martina Bertoni is a Berlin-based composer and experimental cellist whose work “dissolves the boundaries between emotion and architecture” (A Closer Listen). She creates soundscapes in which control and resonance become flowing elements. Her artistic practice explores the ability of sound to alter perception through electroacoustic composition, generative systems, drone minimalism and destabilized moods, with timelessness often serving as a compositional framework. Her research focuses on the interface between embodied sound practices and post-instrumental identities - a central theme of her recent album Electroacoustic Works for Halldorophone (Karlrecords, 2025). In addition to her artistic work, Martina's cello playing and original compositions can be heard in numerous soundtracks for films, series and documentaries. She is currently a lecturer in the music department at the Catalyst Institute for Creative Arts and Technology in Berlin.
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Arnold Kasar is a Berlin-based pianist, composer, producer, and mastering engineer. Over the past three decades, his work has moved fluidly between ambient, electronic, and contemporary classical spaces–often erasing the distinctions between them.
He began his career in Berlin’s post-club landscape, releasing through the influential Sonar Collective label and performing with nu-jazz and electro-chanson acts such as Micatone and Nylon. His collaborations with performance artist Friedrich Liechtenstein introduced surreal, genre-fluid pop into his orbit. A long-running partnership with Hans-Joachim Roedelius, including their 2017 Deutsche Grammophon release Influence, cemented his standing as a cross-generational connector of musical worlds. His new album Spring Songs unfolds across eight distilled pieces–interconnected yet self-contained–where Kasar’s acoustic piano drifts within finely drawn electronic contours. The result is a sound world that feels both grounded and aerial, analogue and spectral–where memory, structure, and silence hold equal presence.
Martina Bertoni
Martina Bertoni is a Berlin-based composer and experimental cellist whose work “dissolves the boundaries between emotion and architecture” (A Closer Listen), crafting soundscapes where control and resonance become fluid entities. Her practice interrogates sound’s capacity to reshape perception through electroacoustic composition, generative systems, drone minimalism, and destabilized tunings, often employing timelessness as a compositional framework. Her research lies at the intersection of embodied sound practices and post-instrumental identities, an exploration central to her most recent album Electroacoustic Works for Halldorophone (Karlrecords, 2025). Beyond her artistic practice, Martina’s cello and original works have been featured in numerous soundtracks for films, series, and documentaries. She is currently a Lecturer at the Department of Music at Catalyst Institute for Creative Arts and Technology in Berlin.
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•
Thursday // Thursday, February 12th
Doors // Admission: 7:00 p.m.
Start: 8:00 p.m.
Kuppelhalle
Tickets: https://www.eventbrite.de/e/arnold-kasar-martina-bertoni-tickets-1777756440369