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Bródy János Koncert // Veszprém
János Bródy Concert // Veszprém
Event by: Gagmanagement Produkciós és Reklámiroda, Hangvilla Veszprém
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He is truly a child of the Beat era. In 1964, after graduation, he joined the Illés group, where he became the author of many songs with Levente Szörényi. In 1973, the band could not bear the pressure of external and internal tensions, and at the end of the year Lajos Illés disbanded the band.
In 1974, the Phonograph was created, which was already more than a band, as a real artistic creative workshop. it worked. The records of Zsuzsa Koncz and Judit Halász were also made here, the intellectual author of which was primarily János Bródy. The Phonograph era also saw the creation of the first successful stage works such as Kelemen the Mason and István the King.
János Bródy's independent performance career began at the end of the seventies at the Castle Theater and the University Theater His first album It was released in 1980 under the title Hungarian Blues with such unforgettable songs as Filléres emlémeim; Halfway to Földvár; Mommy please; and Maskabál, which reports on the situation in the sign language of Bródy songs.
His second album was Ne szólj sámó in 1984. At the end of the eighties, Voice without Voice followed, on which Let me be free, the Transitional state and the Closed class already spoke openly about the desire for change, but Be loyal to yourself or My son and my daughter remained memorable, in which the author he reported on his role.
Az utca győső sání was published in 1994 with an argument that is still valid today in songs such as Tangó LeMondó and Haggyá' má' békibe', but it also signaled an artistic declaration of faith in Mit tehténzá értéd, A zender járj or the Honest Clown.
The bands broke up and changed, but János Bródy was constantly able to give himself and toured the country with a guitar in his hand, like a chronicler of everyday life, recalling with an ironic smile the brief temporary happiness between hopeless love and fulfilled disappointment , comforting the anxious waking up from their unfulfilled dreams. At the end of 1994, a CD and later a DVD of the performance held in the old Budapest Sports Hall, titled Once Upon a Time, were released. consult a pharmacist. The vast majority of the 12 tracks on the album, such as "The train is coming" and "You have to hold on", are about the risks and side effects that often occur in our lives.
The stage works for which he wrote the texts (Kelemen Kőműves, István, the King, Doctor Herz, Anna Fehér, The Damned, With You, Sir, Will Shakespeare or Whom You Will and Andrew Lloyd Webber's Once Upon a Team.). The life work of the Kossuth prize-winning composer-lyricist-performer has been recognized with many awards, in the spring of 2011 he received the lifetime achievement award of Fonogram. It was then that he announced that he had accepted EMI's invitation to produce a new album, and the recordings were completed at the Fodo Sound Studio by the end of July. who were well aware of János Bródy's career up to that point.
As a result of the renewed interest, János Bródy appeared in 2016 with a Ráadás album, which was originally supposed to be a jubilee vinyl (vinyl) disc. The hit album features brand new songs: You will be here next to me, Hungarians among Europeans, Birkaország, It's autumn again, Come sweet, come and corrupt, as well as reinterpreted arrangements of old songs, such as the continuation of Csillag Dajnalka, Felföldné's evening. Finally, for the 70th anniversary, a 5-disc exclusive vinyl compilation was released, of which only 300 copies were produced. A DVD+2CD of the uplifting Arena concert entitled BRÓDY70 was also released by Grundrecords.
János Bródy considers himself primarily a songwriter. His songs have been covered by many in many forms; Along with Zsuzsa Koncz and Judit Halász, he also wrote songs for Zorán, Tamás Somló, Péter Gerendás, László Komár, and at the same time he also wrote the lyrics for Omega on behalf of Gábor Várszegi. (Star Trek, Gammapolis). After 25 years, it became public that, at the request of János Bródy, Gábor Várszegi gave his name to the songs that Bródy wrote. János Bródy's opinion was: "It was a very exciting challenge to see if I could write texts in such a way that everyone would naturally think of them as Omega texts. It seems to have worked.” He also wrote two songs for Judit Szűcs under a pseudonym, e.g. You, listen. More recently, the Margaret Island band and Ivan & The Parazol have also featured Bródy songs.
In 1974, the Phonograph was created, which was already more than a band, as a real artistic creative workshop. it worked. The records of Zsuzsa Koncz and Judit Halász were also made here, the intellectual author of which was primarily János Bródy. The Phonograph era also saw the creation of the first successful stage works such as Kelemen the Mason and István the King.
János Bródy's independent performance career began at the end of the seventies at the Castle Theater and the University Theater His first album It was released in 1980 under the title Hungarian Blues with such unforgettable songs as Filléres emlémeim; Halfway to Földvár; Mommy please; and Maskabál, which reports on the situation in the sign language of Bródy songs.
His second album was Ne szólj sámó in 1984. At the end of the eighties, Voice without Voice followed, on which Let me be free, the Transitional state and the Closed class already spoke openly about the desire for change, but Be loyal to yourself or My son and my daughter remained memorable, in which the author he reported on his role.
Az utca győső sání was published in 1994 with an argument that is still valid today in songs such as Tangó LeMondó and Haggyá' má' békibe', but it also signaled an artistic declaration of faith in Mit tehténzá értéd, A zender járj or the Honest Clown.
The bands broke up and changed, but János Bródy was constantly able to give himself and toured the country with a guitar in his hand, like a chronicler of everyday life, recalling with an ironic smile the brief temporary happiness between hopeless love and fulfilled disappointment , comforting the anxious waking up from their unfulfilled dreams. At the end of 1994, a CD and later a DVD of the performance held in the old Budapest Sports Hall, titled Once Upon a Time, were released. consult a pharmacist. The vast majority of the 12 tracks on the album, such as "The train is coming" and "You have to hold on", are about the risks and side effects that often occur in our lives.
The stage works for which he wrote the texts (Kelemen Kőműves, István, the King, Doctor Herz, Anna Fehér, The Damned, With You, Sir, Will Shakespeare or Whom You Will and Andrew Lloyd Webber's Once Upon a Team.). The life work of the Kossuth prize-winning composer-lyricist-performer has been recognized with many awards, in the spring of 2011 he received the lifetime achievement award of Fonogram. It was then that he announced that he had accepted EMI's invitation to produce a new album, and the recordings were completed at the Fodo Sound Studio by the end of July. who were well aware of János Bródy's career up to that point.
As a result of the renewed interest, János Bródy appeared in 2016 with a Ráadás album, which was originally supposed to be a jubilee vinyl (vinyl) disc. The hit album features brand new songs: You will be here next to me, Hungarians among Europeans, Birkaország, It's autumn again, Come sweet, come and corrupt, as well as reinterpreted arrangements of old songs, such as the continuation of Csillag Dajnalka, Felföldné's evening. Finally, for the 70th anniversary, a 5-disc exclusive vinyl compilation was released, of which only 300 copies were produced. A DVD+2CD of the uplifting Arena concert entitled BRÓDY70 was also released by Grundrecords.
János Bródy considers himself primarily a songwriter. His songs have been covered by many in many forms; Along with Zsuzsa Koncz and Judit Halász, he also wrote songs for Zorán, Tamás Somló, Péter Gerendás, László Komár, and at the same time he also wrote the lyrics for Omega on behalf of Gábor Várszegi. (Star Trek, Gammapolis). After 25 years, it became public that, at the request of János Bródy, Gábor Várszegi gave his name to the songs that Bródy wrote. János Bródy's opinion was: "It was a very exciting challenge to see if I could write texts in such a way that everyone would naturally think of them as Omega texts. It seems to have worked.” He also wrote two songs for Judit Szűcs under a pseudonym, e.g. You, listen. More recently, the Margaret Island band and Ivan & The Parazol have also featured Bródy songs.