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πΎππ π₯π§ππ¨ππ£π©π¨: UmΔnΓ a klima vol. 6 - Design
πΎππ π₯π§ππ¨ππ£π©π¨: Art and Klima Vol. 6 - Design
Event by: ARCHA+, Culture for Future
Location: ARCHA+, Na PoΕΓΔΓ 26, Praha 1
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Talks & discussions
About event
πΎππ π₯π§ππ¨ππ£π©π¨: The art and climate of vol. 6 - Design
We invite you to another feature meeting of the Culture for Future platform, where artists present their projects thematically associated with the climate crisis. This time the theme will be ππππππ. />
In the evening, Tereza BonaventurovΓ‘ will perform. Over GoOut! π https://bit.ly/cff_umeniaklima_design
Adam KvaΔek is a creator of objects, a spatial designer and researcher. It focuses on the research-based design that emphasizes context. Through his work he examines and communicates and communicates environmental, social and geopolitical aspects. It uses the media as installation, workshops, or objects/products.
β Eduard Herrmann β
Eduard Herrmann . They founded the studio with the aim of breaking out of their field boxes and doing what it makes sense. In their collections of furniture and luminaires, they use local sustainable resources and low-tech access. They design and produce utility buildings, solve interiors and spatial inventions. He specializes in design and implementation of projects that combine local sources and traditional techniques in the current concept. It cooperates with public and private entities across all phases - from consultations to implementation, with respect for material. It develops experimental mixtures and examines various aspects of clay construction in cooperation with research institutions and seeks to apply them in practice. The aim of the platform is to spread the knowledge and popularization of clay materials through lectures, workshops, conferences and realized buildings and buildings. The project is designer MatΔj JanskΓ½, architect Svetlana Devyatkin and engineer LukΓ‘Ε‘ BejΔek. It also creates fully functional musical instruments on the border of design and sculptural object, passing the morphology of the future, which even plays and composes its own music. In sculptural and painting work, it themes fascination and anxiety of what the present brings, which is a pre -emphasis of the future. It can be between the progressive technological miracle, the human apocalypse and the arid wasteland.
We invite you to another feature meeting of the Culture for Future platform, where artists present their projects thematically associated with the climate crisis. This time the theme will be ππππππ. />
In the evening, Tereza BonaventurovΓ‘ will perform. Over GoOut! π https://bit.ly/cff_umeniaklima_design
Adam KvaΔek is a creator of objects, a spatial designer and researcher. It focuses on the research-based design that emphasizes context. Through his work he examines and communicates and communicates environmental, social and geopolitical aspects. It uses the media as installation, workshops, or objects/products.
β Eduard Herrmann β
Eduard Herrmann . They founded the studio with the aim of breaking out of their field boxes and doing what it makes sense. In their collections of furniture and luminaires, they use local sustainable resources and low-tech access. They design and produce utility buildings, solve interiors and spatial inventions. He specializes in design and implementation of projects that combine local sources and traditional techniques in the current concept. It cooperates with public and private entities across all phases - from consultations to implementation, with respect for material. It develops experimental mixtures and examines various aspects of clay construction in cooperation with research institutions and seeks to apply them in practice. The aim of the platform is to spread the knowledge and popularization of clay materials through lectures, workshops, conferences and realized buildings and buildings. The project is designer MatΔj JanskΓ½, architect Svetlana Devyatkin and engineer LukΓ‘Ε‘ BejΔek. It also creates fully functional musical instruments on the border of design and sculptural object, passing the morphology of the future, which even plays and composes its own music. In sculptural and painting work, it themes fascination and anxiety of what the present brings, which is a pre -emphasis of the future. It can be between the progressive technological miracle, the human apocalypse and the arid wasteland.