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CTM 2026: Elastic Interference
Event by: CTM Festival
Location: Berliner Stadtwerke Charging Station, Weydingerstraße 10, Berlin - Mitte
Tickets: Get tickets
About event
21:15 GAZAEBAL
22:00 Blood of Aza
22:45 Kentaro Hayashi
GAZAEBAL’s path cuts across club circuits, chart-ready production, and unruly sound design. He started out engineering studios in New York, working alongside heavy hitters like Wu-Tang before carving his own lane as the first Korean artist to reach the top of the UK techno charts. Returning to Seoul he co-launched Tacit Group and continued refining a practice where crisp structure meets immersive sonic detail.
Blood Of Aza builds music like a nocturnal machine held together by tension. Rising from online subcurrents, her fogged ambient layers and fractured pop edits slip between closeness and scale, melodies half-hidden under shifting digital pressure. The music hovers in a charged suspension: ghosted drones, sharp electrical eruptions, sets drifting through glitchy lullabies and vapor trails of synth, blown-out rhythms folding backwards into sudden devotional surges.
Osaka producer and engineer Kentaro Hayashi lives inside turbulent sound. Between mastering sessions for Merzbow he molds his own terrain of distortion and meticulously carved frequencies. His work pulls from experimental electronics, industrial unease, and the momentum of underground club spaces: we're talkin' noise, low-end, and quiet held with strict intent.
22:00 Blood of Aza
22:45 Kentaro Hayashi
GAZAEBAL’s path cuts across club circuits, chart-ready production, and unruly sound design. He started out engineering studios in New York, working alongside heavy hitters like Wu-Tang before carving his own lane as the first Korean artist to reach the top of the UK techno charts. Returning to Seoul he co-launched Tacit Group and continued refining a practice where crisp structure meets immersive sonic detail.
Blood Of Aza builds music like a nocturnal machine held together by tension. Rising from online subcurrents, her fogged ambient layers and fractured pop edits slip between closeness and scale, melodies half-hidden under shifting digital pressure. The music hovers in a charged suspension: ghosted drones, sharp electrical eruptions, sets drifting through glitchy lullabies and vapor trails of synth, blown-out rhythms folding backwards into sudden devotional surges.
Osaka producer and engineer Kentaro Hayashi lives inside turbulent sound. Between mastering sessions for Merzbow he molds his own terrain of distortion and meticulously carved frequencies. His work pulls from experimental electronics, industrial unease, and the momentum of underground club spaces: we're talkin' noise, low-end, and quiet held with strict intent.