Diskuse o vztahu komiksového scenáristy s kreslířem

"Doctor: Do not add any of your lyrics to the series," Jaroslav Foglar criticized the draftsmen of the fast arrows Jan Fischer the few minor changes that the artist allowed to do straight and not consult with the author of the screenplay. Many cheerful stories and horrific stories are told about what cooperation between comic book screenwriter and artist may also look. How much is the truth, what are the strengths of such creative cooperation, and on the contrary, what challenges it is before all participating, in the discussion evening, the trio of the most competent will tell. The invitation to the debate on cooperation in the comics was accepted by Štěpánka Jislová, Vojtěch Mašek and Martin Šinkovský: Three prominent personalities of the domestic comic scene, which have rich experience with various models of authorial cooperation. Discussion, which is an accompanying program for the exhibition We are a Club of Fast Arrows! Moderated by Pavel Kořínek. Her comic book books without hair (along with Tereza Drahoňovská) and heartbeat have collected a number of awards and are now continuing the successful worldwide campaign: they have currently been translated into French and English.

Vojtěch Mašek The most commonly created in the author's tandem with Jian Baban - won over a dozen Muriel awards. Comics are also authorized in cooperation with other screenwriters and artists, but from theater and film, however, has extensive experience with creative work in much larger teams. Last year he prepared (together with Jan Blažek) three screenplays for the comic book Three Queen, and in addition to the aforementioned long -time collaborator, František Loubat and Marek Rubec took free entry.