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Dominik Gajarský & Janina Weißengruber: Trust, Tears & Taxes
Dominic Gajarský & Janina weißengruger: Trust, Trust & Taxes
Event by: Šachta
Location: Bubenská 242/14, Bubenská 14, Praha 7
Concerts, Art Exhibitions
About event
Vernissage 2. 5. 2025 18:00
Trust, Tears & Taxes
2. - 4. 6. Tears & Taxes examines the experience of adolescence in the contemporary world without an uncertain future. When do we become part of the company? What makes us credible in it? And do we have the opportunity to influence our own future, or are we predetermined to it with our own family background? The dialogue reflects the tension between searching for personal identity and social expectations and its external validation. Adolescence is not only a biological or psychological transformation, but a cultural and political act. The exhibition opens the question of what it means to "grow up" in a split time.
Dominik Gajarský (*1986) is a Prague artist and musician. In his work he deals with topics such as memory, otherness, nostalgia, myths and fairy tales. He often combines text, sound and moving image to explore the symbolic and historical context and connect them to the present. Under the nickname Slowmotiondancer produces, mixed and master music production on the Czech and international scene. He composed several songs for performances, theater performances, short films, documentary films and sound artistic installations. Between 2019-2015 he studied at the Academy of Fine Arts in Prague (studio of the new media II/School of Anna Daučíková) and completed an internship in UDK in Berlin (led by Josephine Pryde). He completed his doctoral studies at the Academy of Arts, Architecture and Design in the Academy of Arts, III. He was the finalist of prestigious awards, such as the Leinemann Foundation Award in 2014 and the Jindřich Chalupecký prizes in 2017. He regularly participates in separate and group exhibitions, his work was presented, for example The center in Berlin, the National Gallery and the Rudolfinum Gallery in Prague. Since 2020 she has been a member of the ADO/APTIVE team (together with Daniel Hüttler), who is devoted to a performative, interactive and collaborative approach to art and theory. Together with Olga Mathilda Gärtner and Sorgo, he organizes an exhibition format called "Dressing ... Man Nequinn", which focuses on clothing, relationship of art and body and wearable editions. She has studied philosophy at the University of Vienna and since 2022 she has been studying as part of the sculpture program and space at the University of Applied Arts in Vienna. In its independent artistic practice, it is based primarily on pop -cultural and mass media aesthetics and its language forms. Her works were exhibited, among other things, on Klimabiennale Wien, Never at Home, Ail Wien, Neuer Kunstverein Wien, Collegium Artisticum in Sarajevo, Raum Mit Licht Gallery in Vienna, Außenstelle Kunst Wien and Prague Gallery. As part of the Salzkammergut 24 project, she presented her public space works.
The program of the Holešovická Shakhta Gallery is created with the financial support of the Ministry of Culture of the Czech Republic, the City of Prague and Prague 7.
_____eng______
OPENING 2. - 4. Shogoth-34
Trust, Tears & Taxes Explores The Experience of Growing Up In A World Without and Clear Future. WHEN Do We Becom Part of Society? What Makes US Trustworthy in It? And do we have the possibility to influence Own Future, Or are we wetermined by Own Family Background? The Dialogue Reflects The Tension Between the Search for Personal Identity and Social Expectations and Its External Validation. Adolescence here is not just and biological or psychological transformation, but and Cultural and Political Act. The Exhibition Raises the Question of What It Means to "Grow Up" in and Divided Time.
His Work Deals with Themes Such As Memory, Otherness, Nostalgia, Myths and Fairy Tales. HE OFTEN COMBINES Text, Sound and Moving Image to Explore Symbolic and Historical Contexts and Connect Them to the Present. Under the Moniker Slowmotiondancer, He Produces, Mixes and Masters Music Production on the Czech and International Scene. He Has Composed North Tracks for Performances, Theater Shows, Short Films, Documentaries and Sound Art Installations. Between 2019-2015, He Studied at the Academy of Fine Arts in Prague (New Media Studio II / Anna Daučíková Studio) and Completed An internship at the UDK in Berlin (Josephine Pryde Studio). He Completed HIS Doctor Studies at UMPRUM, WHERE He Co-Led The Intermedia Studio VU III. He Has Been and Finalist for Prestigious Awards Such As The Leinemann Foundation Award in 2014 and the Jindřich Chalupecký Art Award in 2017. He Regularly Participates in Solo and Group Exhibitions and His Work Has Been Exhibited London, Pioneer Works, Union Docs, Cantina Royal in New York, The Czech Center in Berlin and the National Gallery and Rudolfinum Gallery in Prague. Since 2020 She is and the Member of the Collective Ado/Aptive (Together with Daniel Hüttler) WHICH IS DEDICATED TO A Performative, Interactive, and Collaborative Approach to Art and Theory. Together with Olga Mathilde Gärtner and Nana Sorgo, She Organoes The Exhibition Format "Dressing… Man Nequinn" WHICH FOCUSES ON Clothing, Body-Related Art Works and Wearable Editions. Shen's Studied Philosophy at the University of Vienna and Has Been Enrolled Since 2022 in the Sculpture and Space Class at the University of Applied Arts Vienna. In Her Artistic Solo Practice, She Primarily Draw on Pop-Cultural and Mass Media Aesthetics as Well as Its Linguistic Forms. Her Works Have Been Exhibited, Among Others, At Klimabiennale Wien, Never At Home, Ail Vienna, Neuer Kunstverein Wien, Collegium Artisticum in Sarajewo, Pragovka Gallery, Gallery Raum Mit Licht, Vienna, Außenstelle Kunst Wien of Salzkammergut 24.
Trust, Tears & Taxes
2. - 4. 6. Tears & Taxes examines the experience of adolescence in the contemporary world without an uncertain future. When do we become part of the company? What makes us credible in it? And do we have the opportunity to influence our own future, or are we predetermined to it with our own family background? The dialogue reflects the tension between searching for personal identity and social expectations and its external validation. Adolescence is not only a biological or psychological transformation, but a cultural and political act. The exhibition opens the question of what it means to "grow up" in a split time.
Dominik Gajarský (*1986) is a Prague artist and musician. In his work he deals with topics such as memory, otherness, nostalgia, myths and fairy tales. He often combines text, sound and moving image to explore the symbolic and historical context and connect them to the present. Under the nickname Slowmotiondancer produces, mixed and master music production on the Czech and international scene. He composed several songs for performances, theater performances, short films, documentary films and sound artistic installations. Between 2019-2015 he studied at the Academy of Fine Arts in Prague (studio of the new media II/School of Anna Daučíková) and completed an internship in UDK in Berlin (led by Josephine Pryde). He completed his doctoral studies at the Academy of Arts, Architecture and Design in the Academy of Arts, III. He was the finalist of prestigious awards, such as the Leinemann Foundation Award in 2014 and the Jindřich Chalupecký prizes in 2017. He regularly participates in separate and group exhibitions, his work was presented, for example The center in Berlin, the National Gallery and the Rudolfinum Gallery in Prague. Since 2020 she has been a member of the ADO/APTIVE team (together with Daniel Hüttler), who is devoted to a performative, interactive and collaborative approach to art and theory. Together with Olga Mathilda Gärtner and Sorgo, he organizes an exhibition format called "Dressing ... Man Nequinn", which focuses on clothing, relationship of art and body and wearable editions. She has studied philosophy at the University of Vienna and since 2022 she has been studying as part of the sculpture program and space at the University of Applied Arts in Vienna. In its independent artistic practice, it is based primarily on pop -cultural and mass media aesthetics and its language forms. Her works were exhibited, among other things, on Klimabiennale Wien, Never at Home, Ail Wien, Neuer Kunstverein Wien, Collegium Artisticum in Sarajevo, Raum Mit Licht Gallery in Vienna, Außenstelle Kunst Wien and Prague Gallery. As part of the Salzkammergut 24 project, she presented her public space works.
The program of the Holešovická Shakhta Gallery is created with the financial support of the Ministry of Culture of the Czech Republic, the City of Prague and Prague 7.
_____eng______
OPENING 2. - 4. Shogoth-34
Trust, Tears & Taxes Explores The Experience of Growing Up In A World Without and Clear Future. WHEN Do We Becom Part of Society? What Makes US Trustworthy in It? And do we have the possibility to influence Own Future, Or are we wetermined by Own Family Background? The Dialogue Reflects The Tension Between the Search for Personal Identity and Social Expectations and Its External Validation. Adolescence here is not just and biological or psychological transformation, but and Cultural and Political Act. The Exhibition Raises the Question of What It Means to "Grow Up" in and Divided Time.
His Work Deals with Themes Such As Memory, Otherness, Nostalgia, Myths and Fairy Tales. HE OFTEN COMBINES Text, Sound and Moving Image to Explore Symbolic and Historical Contexts and Connect Them to the Present. Under the Moniker Slowmotiondancer, He Produces, Mixes and Masters Music Production on the Czech and International Scene. He Has Composed North Tracks for Performances, Theater Shows, Short Films, Documentaries and Sound Art Installations. Between 2019-2015, He Studied at the Academy of Fine Arts in Prague (New Media Studio II / Anna Daučíková Studio) and Completed An internship at the UDK in Berlin (Josephine Pryde Studio). He Completed HIS Doctor Studies at UMPRUM, WHERE He Co-Led The Intermedia Studio VU III. He Has Been and Finalist for Prestigious Awards Such As The Leinemann Foundation Award in 2014 and the Jindřich Chalupecký Art Award in 2017. He Regularly Participates in Solo and Group Exhibitions and His Work Has Been Exhibited London, Pioneer Works, Union Docs, Cantina Royal in New York, The Czech Center in Berlin and the National Gallery and Rudolfinum Gallery in Prague. Since 2020 She is and the Member of the Collective Ado/Aptive (Together with Daniel Hüttler) WHICH IS DEDICATED TO A Performative, Interactive, and Collaborative Approach to Art and Theory. Together with Olga Mathilde Gärtner and Nana Sorgo, She Organoes The Exhibition Format "Dressing… Man Nequinn" WHICH FOCUSES ON Clothing, Body-Related Art Works and Wearable Editions. Shen's Studied Philosophy at the University of Vienna and Has Been Enrolled Since 2022 in the Sculpture and Space Class at the University of Applied Arts Vienna. In Her Artistic Solo Practice, She Primarily Draw on Pop-Cultural and Mass Media Aesthetics as Well as Its Linguistic Forms. Her Works Have Been Exhibited, Among Others, At Klimabiennale Wien, Never At Home, Ail Vienna, Neuer Kunstverein Wien, Collegium Artisticum in Sarajewo, Pragovka Gallery, Gallery Raum Mit Licht, Vienna, Außenstelle Kunst Wien of Salzkammergut 24.