~ 𝓮𝓷𝓬𝓱𝓪𝓷𝓽 #2.6 ~Kskefk ~ Polowanie ~ Jadran

~~~ ąԋ໐j͓̽ ~~~

~~ 𝑒𝓃𝒸𝒽𝒶𝓃𝓉 ~~~~~~~~~~~~~~~~~~~~~~~~~
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~~~je~nehmotný~prostor~vymezen~rozdílem~~~~
~~~~mezi~koncertem~~~a~performance~~~~~
~~~ve~kterém~můžeš~bezpečně~~~~~~~~~~~~~
~~~~prozkoumávat~hranice~~~~~~~~~~~~~
~~~~~tvého~posluchačského~komfortu~~~~~~~
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𝙠𝙨𝙠𝙚𝙛𝙠

Is the solo project of Hamburg-based experimental musician Lukas Kannemann, who is working with in-situ improvisations trying to connect (non)spaces and its occupants - collaborating artists as well as the audience - with themselves through multifaceted but minimalistic sonic endeavours. Recurring topics of his installative works and soundperformances are (non)spaces, (material) cycles, time(lessness), boredom, mistake, persistence, acceptance, interaction and repetition all of which he utilizes in search of and provocation of an intrinsic trance-like state, ideally taking the listener as well as himself on a sonic journey to find and enjoy a moment of bliss.

https://soundcloud.com/kskefk/vekks
(live at VEKKS,vienna)
https://soundcloud.com/kskefk/cobra-jaune
(live at COBRA JAUNE,bruxelles)

https://kskefk.bandcamp.com/
https://soundcloud.com/kskefk
https://hilatency.bandcamp.com/
https://www.mixcloud.com/kas-kaefk/


𝙋𝙤𝙡𝙤𝙬𝙖𝙣𝙞𝙚

is a solo project of Pola Trabinska (PL) exploring a once-elusive relationship with oneself, featuring sound mimicry and an in-depth examination of phenomena in psychology and pop psychology, such as rumination, parentification, and contemporary relational issues. It is an experimental narrative about an infinite inner world of dialogue between feelings and reason.

Pola as an instrumentalist, vocalist with a traditional jazz background, and music producer has been experimenting and challenging herself for over a decade, previously collaborating with the Avant Art Festival, Idealistic Festival, Glissando magazine, The Stage Song Review, Instytut Dźwięku, and Sztuka Ciała Theatre. As a female solo artist, she remains dedicated to promoting inclusiveness and diversity in music and sound.

Recently, the artist released her debut album, titled Rūmināre, which includes sound-based mimicry and a thoughtful exploration of rumination (Latin ruminatio, Polish przeżuwanie). Just as the herd of mammals called Ruminantia, or ruminants, constantly chew their food, we continually re-chew the contents of our minds.

Currently she's working on new material that is bolder in both content and form, unapologetically diving into drones, noise, and colorful reefs. Generation Z describes this daring content as #bigbrainmusic

https://polowan1e.bandcamp.com/track/noose
https://www.instagram.com/_polowanie


𝙅𝙖𝙙𝙧𝙖𝙣

In June, JADRAN is launching a new program that serves as a loud reminiscence and tribute to the Czech underground scene. The program, JADRAN PLAY HLAVSA, may not have much in common with the iconic Mejla Hlavsa, but Jadran more than makes up for it with fat basslines, harsh noise, and techno beats. The current iteration of JADRAN also incorporates elements such as grindcore drum samples and an AI-generated brass section by Italian anarchists #rivolta. Jadran describe themselves as electro-eclectics and conceptual sound explorers. This performative project has so many forms and sinusoidal transformations that their sound in any given performance can only be anticipated, not defined.


graphic art by Valentino

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vstupné doporučené 2̸̡͍͖́́̐̕0̸̨̋̐̆͋0̵͉̝̱̌
line-up TBA, přijďte včas, budeme končit brzo
ohýnek bude, bar bude, chálka jakbysmet,
těšíme se na tebe!