This event has been ended!
~ 𝓮𝓷𝓬𝓱𝓪𝓷𝓽 #7 ~ Eyal Talmor (DE) ~ František Hruška ~ 𝒞𝑒𝓇𝒶 ~ František Markuš
~ 𝒞𝑒𝒶𝒶𝓇𝒾𝒶𝒶𝒶𝒶𝒶𝒾𝒶𝒶𝒾𝒶𝒶𝒶𝒶𝒶𝒾𝒶𝒶𝒾𝒶𝒶𝒾𝒶𝒶𝒾𝒶𝒶𝒾𝒾𝒶𝒾𝒾𝒶𝒾𝒾𝒾𝒶
Event by: Rello, Eyal Talmor, Kryštof Pátra, František Hruška, Kristýna Popirecinii, Yak Hottcutt, Vojtěch Obrovský, Jan Neví
Location: Bastl Instruments, Rybářská 13, Brno-střed
Concerts
About event
ąԋỐjͽ
we invite you to the free continuation of the performative concert series 𝑒ააჶყჃ
~~~
The symbolic seventh part ~ 𝑒ააჶყჃ~ explores the relationship between noise and intimacy. One does not exist without the other, just like we do not exist without you ❤️🩹
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~
~
Ｈｅｊ ｔｙ ! ℙ𝕕𝕛𝕖 𝕃𝕣 𝕄𝕒𝕟𝕒! We'll let you in on a secret.
Ready? Now try to imagine hearing ＮＯＩＳＥ.
Does it surround you? Let it sound for a while and read on.
~
~~~ ᴊᴀᴋ ʙʏ ᴢɴĚʟ ＮＯＩＳＥ, ᴋᴅʏʙʏ ｔｉｃｈｏ ɴᴇᴇxɪꜱᴛᴏᴠᴀʟᴏ? ~~~
Without silence, the unit of intimacy, there is no noise! Suppose we are surrounded by an omnipresent constant level of noise. Your ear works by sensing changes. There would be "auditory adaptation" and your brain would start to ignore the noise because it would have no informational value for you.
Noise only exists because of silence. And working with silence takes courage. Courage to be perceptive and sensitive. Courage to share intimacy.
~
~~~ ᴄᴏ ᴊᴇ ᴛᴇᴅʏ ɴᴏɪꜱᴇ ~~~
Noise allows us to do things "wrong" without making mistakes. Noise makes it possible to disagree and still profess love. Noise is a space in which you can condemn and at the same time find understanding. Noise can be severe or it can be devoid of any possibility of boundaries. Noise is here to troll you. Noise hates and loves you. Noise reminds you to be open and receptive, because what we apply to ourselves as an attack can be healing to someone else.
~
NOW imagine again that you hear NOISE. How are you feeling?
~
~
~~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~is~immaterial~space~defined~by~difference~~ ~~
~~~~between~concert~~~and~performance~~~~~
~~~in~which~you~can~safely~~~~~~~~~~~~ ~
~~~~exploring~the~boundaries~~~~~~~~~~~~~
~~~~~your~listening~comfort~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~
~
/>Eyal Talmor is an experimental musician dealing with unusual behaviors of electronics and sound. His improvisational performances center around a synthesizer that, when connected to a normal functioning machine, becomes unintentionally influenced by corrupted MIDI data sent back and forth, causing it to operate beyond its planned capabilities.
While dealing with the chaotic nature of the involved machines and the live setting in real-time, Talmor's setup allows him to reach sounds that would otherwise be impossible. The described method makes every performance unique and unrepeatable, allowing the musician to research stress conditions, chaos, the physicality and behaviors of new sounds and their influence on the listener.
ᵏ ᵖᵒˢˡᵉᶜʰᵘ
~ https://www.youtube.com/watch?v=vpTa1DtBtqQ He lived in the room that was the nicest in the whole barrack, and that was because of his hacker's lab, where, among other things, he made his own modules mined to the last free bit on the microprocessor. In fact, I think they were too good for the time, so it never went into production. Sometimes his brother would make tea for us, and František would put some prototypes straight into my pocket: "well, there's no manual for it, I don't know, something doesn't work there, try it and then tell me"
So on the sixth invitation from us, he said that he dusted off the synths and he'll come!
~
𝐀𝐀𝐀𝐄𝐄𝐄𝐄𝐑𝐄𝐑𝐄𝐑𝐄𝐑𝐑𝐑𝐑𝐑𝐑𝐑𝐑𝐑𝐎 br/>~
~
~
̱ź̶̡̡̩̯̭͎̮k̴̫̬̼͇̦̼͇̫̋̾͊̋̋̚
line-up TBA, come early, we will end soon
fire there will be, the bar will be, fokača jakbsmet,
invite your friends, you know best,
who will like it here,
~
~
we are looking forward to you!
~
ＮＯＩＳＥ ＪＥ ＱＵＥＥＲ
we invite you to the free continuation of the performative concert series 𝑒ააჶყჃ
~~~
The symbolic seventh part ~ 𝑒ააჶყჃ~ explores the relationship between noise and intimacy. One does not exist without the other, just like we do not exist without you ❤️🩹
~
~
~
Ｈｅｊ ｔｙ ! ℙ𝕕𝕛𝕖 𝕃𝕣 𝕄𝕒𝕟𝕒! We'll let you in on a secret.
Ready? Now try to imagine hearing ＮＯＩＳＥ.
Does it surround you? Let it sound for a while and read on.
~
~~~ ᴊᴀᴋ ʙʏ ᴢɴĚʟ ＮＯＩＳＥ, ᴋᴅʏʙʏ ｔｉｃｈｏ ɴᴇᴇxɪꜱᴛᴏᴠᴀʟᴏ? ~~~
Without silence, the unit of intimacy, there is no noise! Suppose we are surrounded by an omnipresent constant level of noise. Your ear works by sensing changes. There would be "auditory adaptation" and your brain would start to ignore the noise because it would have no informational value for you.
Noise only exists because of silence. And working with silence takes courage. Courage to be perceptive and sensitive. Courage to share intimacy.
~
~~~ ᴄᴏ ᴊᴇ ᴛᴇᴅʏ ɴᴏɪꜱᴇ ~~~
Noise allows us to do things "wrong" without making mistakes. Noise makes it possible to disagree and still profess love. Noise is a space in which you can condemn and at the same time find understanding. Noise can be severe or it can be devoid of any possibility of boundaries. Noise is here to troll you. Noise hates and loves you. Noise reminds you to be open and receptive, because what we apply to ourselves as an attack can be healing to someone else.
~
NOW imagine again that you hear NOISE. How are you feeling?
~
~
~~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~is~immaterial~space~defined~by~difference~~ ~~
~~~~between~concert~~~and~performance~~~~~
~~~in~which~you~can~safely~~~~~~~~~~~~ ~
~~~~exploring~the~boundaries~~~~~~~~~~~~~
~~~~~your~listening~comfort~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~
~
/>Eyal Talmor is an experimental musician dealing with unusual behaviors of electronics and sound. His improvisational performances center around a synthesizer that, when connected to a normal functioning machine, becomes unintentionally influenced by corrupted MIDI data sent back and forth, causing it to operate beyond its planned capabilities.
While dealing with the chaotic nature of the involved machines and the live setting in real-time, Talmor's setup allows him to reach sounds that would otherwise be impossible. The described method makes every performance unique and unrepeatable, allowing the musician to research stress conditions, chaos, the physicality and behaviors of new sounds and their influence on the listener.
ᵏ ᵖᵒˢˡᵉᶜʰᵘ
~ https://www.youtube.com/watch?v=vpTa1DtBtqQ He lived in the room that was the nicest in the whole barrack, and that was because of his hacker's lab, where, among other things, he made his own modules mined to the last free bit on the microprocessor. In fact, I think they were too good for the time, so it never went into production. Sometimes his brother would make tea for us, and František would put some prototypes straight into my pocket: "well, there's no manual for it, I don't know, something doesn't work there, try it and then tell me"
So on the sixth invitation from us, he said that he dusted off the synths and he'll come!
~
𝐀𝐀𝐀𝐄𝐄𝐄𝐄𝐑𝐄𝐑𝐄𝐑𝐄𝐑𝐑𝐑𝐑𝐑𝐑𝐑𝐑𝐑𝐎 br/>~
~
~
̱ź̶̡̡̩̯̭͎̮k̴̫̬̼͇̦̼͇̫̋̾͊̋̋̚
line-up TBA, come early, we will end soon
fire there will be, the bar will be, fokača jakbsmet,
invite your friends, you know best,
who will like it here,
~
~
we are looking forward to you!
~
ＮＯＩＳＥ ＪＥ ＱＵＥＥＲ