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Frühe Meister der Filmkunst: Tabu der Gerechten
Early master of film art: Taboo of the righteous
Event by: Filmkunst66
Location: Bleibtreustraße 12, Bleibtreustraße 12, Berlin - Bezirk Charlottenburg-Wilmersdorf
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About event
(Gentleman's Agreement) * USA 1948 * Film drama.
Director: Elia Kazan * Script: Moss Hart (after the novel by Laura Z. Hobson) * Production: Darryl F. Zanuck * Music: Alfred Newman * Camera: Arthur C. Miller * Cut: Harmon Jones
Bastocation: Gregory Peck, John, John, John Garfield, Celeste Holm, Anne Revere, June Havoc, Albert Dekker, Jane Wyatt, Dean Stockwell, Sam Jaffe etc. * 18 minutes, S/W, FSK 12
German Synchronous version
A journalist researches about anti -Semitic trends in the USA and pretends to be a jewel. He experiences the contradictory situation of the Jewish intellectuals in New York up close and learns the tacit toleration of anti -Semitic prejudices, which are hidden behind the facade of bourgeois tolerance. (Filmdienst.de)
three Oscars in 1948 in the categories "Best Film", "Best Director" and "Best Supporting Actress" (Celeste Holm) as well as five other nominations!
"Elia Kazan is committed to social disruptions, whereby his film is stuck in with the optimistic (and fake) end, without it, without to lose seriousness and meaning decisively. " (Lexicon of international film)
Director: Elia Kazan * Script: Moss Hart (after the novel by Laura Z. Hobson) * Production: Darryl F. Zanuck * Music: Alfred Newman * Camera: Arthur C. Miller * Cut: Harmon Jones
Bastocation: Gregory Peck, John, John, John Garfield, Celeste Holm, Anne Revere, June Havoc, Albert Dekker, Jane Wyatt, Dean Stockwell, Sam Jaffe etc. * 18 minutes, S/W, FSK 12
German Synchronous version
A journalist researches about anti -Semitic trends in the USA and pretends to be a jewel. He experiences the contradictory situation of the Jewish intellectuals in New York up close and learns the tacit toleration of anti -Semitic prejudices, which are hidden behind the facade of bourgeois tolerance. (Filmdienst.de)
three Oscars in 1948 in the categories "Best Film", "Best Director" and "Best Supporting Actress" (Celeste Holm) as well as five other nominations!
"Elia Kazan is committed to social disruptions, whereby his film is stuck in with the optimistic (and fake) end, without it, without to lose seriousness and meaning decisively. " (Lexicon of international film)