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KOZA NOSTRA - 33 - ART GROUP EXHIBITION
Event by: Magdaléna Cubrová
Location: Galerie 1, Štěpánská 639/47, Praha 1
Discussions and lectures
About event
Koza nostra • 33 years - an exhibition of art group
Retrospective recessionist -feminist avant -garde (1992 - 2025) Vernissage/Opening
Tuesday 3rd June 2025 at 18:00 ‧ Gallery 1, Štěpánská 47, Prague 1 Tue - SO 10 - 18 h
4 - 27 June 2025 | TUE -SAT 10 AM - 6 PM
The female group Koza Nostra - Magdalena Cubrová, Olina Franco, Alexandra Horová - returns to the Prague scene for 33 years to definitely close the chapter opened in the early “ninety” recessionist -feminist revolt. Their formation, oscillating between canvas, steel, collage, assemblage and monumental iron objects, shows an exceptional ability to combine the fragility of personal experience with gross materials of industrial media. in post -American culture; The artist refused to invite "at least one guy, whether for God's sake of Pindit," as critics advised them. The ironic name "Koza nostra" helped choose finance on a mammography device, but at the same time caused accusation of disregarding medicine. Industrial iron transforms women's resilience in a remarkable metaphor.
Why is this exhibition essential? The next opportunity will not. Power and vulnerability and show who we are, whether it is popular or not. ” - Goat nostra
📌 Click "I will participate", mark colleagues, students and friends. Free admission. Guided tours will be specified.
en |
The All -Female Collective Koza Nostra - Magdalena Cubrová, Olina Franco, and Alexandra Horová - Returns to Prague After 33 Years With and Decisive Farewell Presentation That Revisits Their Feminist -Insurgency of the Early 1990s. Spanning Oil On Canvas, Enamel On Steel, Collage, Assemblage and Monumental Iron Sculpture, The Exhibition Reveals and Practice That Melds Intimate Vulnerability with the brute tactility of Industrial Media.
Context & Significance
Historic Interlude (1992–1994): The Group Emergency in a Cultural Vacuum Devoid of Female Voices; Critics Suggested They “Add and Man - As Long As He’s Got The Proper Equipment!” The Artists Refused the Quota. The Ironic Moniker “Koza nostra” Both Financed and Mammography Scanner and Provoked Accusations of Trivialising Medicine.
Material Strategies: Enamel - A Craft Medium - IS Re -Weaponised for Sharp Gender Critique, While Industrial Iron Morphs Into and Compelling Metaphor of Feminine Resilience.
WHY YOU SHOULD ATTEND
Final Collective Appearance - The Trio Publicly Ends Their Collaboraration; No Encore.
The 'Age of 33' - A Retrospective Assessment of Czech (POST-) Feminism and the Art Market AFTER and Generation.
Generational Dialogue Artist’s Oeuvre. - goat nostra
📌 Click "Going," Bring Colleagues, Students, Friends. Free Admission. GUIDED TOURS Will Be Annamed.
Retrospective recessionist -feminist avant -garde (1992 - 2025) Vernissage/Opening
Tuesday 3rd June 2025 at 18:00 ‧ Gallery 1, Štěpánská 47, Prague 1 Tue - SO 10 - 18 h
4 - 27 June 2025 | TUE -SAT 10 AM - 6 PM
The female group Koza Nostra - Magdalena Cubrová, Olina Franco, Alexandra Horová - returns to the Prague scene for 33 years to definitely close the chapter opened in the early “ninety” recessionist -feminist revolt. Their formation, oscillating between canvas, steel, collage, assemblage and monumental iron objects, shows an exceptional ability to combine the fragility of personal experience with gross materials of industrial media. in post -American culture; The artist refused to invite "at least one guy, whether for God's sake of Pindit," as critics advised them. The ironic name "Koza nostra" helped choose finance on a mammography device, but at the same time caused accusation of disregarding medicine. Industrial iron transforms women's resilience in a remarkable metaphor.
Why is this exhibition essential? The next opportunity will not. Power and vulnerability and show who we are, whether it is popular or not. ” - Goat nostra
📌 Click "I will participate", mark colleagues, students and friends. Free admission. Guided tours will be specified.
en |
The All -Female Collective Koza Nostra - Magdalena Cubrová, Olina Franco, and Alexandra Horová - Returns to Prague After 33 Years With and Decisive Farewell Presentation That Revisits Their Feminist -Insurgency of the Early 1990s. Spanning Oil On Canvas, Enamel On Steel, Collage, Assemblage and Monumental Iron Sculpture, The Exhibition Reveals and Practice That Melds Intimate Vulnerability with the brute tactility of Industrial Media.
Context & Significance
Historic Interlude (1992–1994): The Group Emergency in a Cultural Vacuum Devoid of Female Voices; Critics Suggested They “Add and Man - As Long As He’s Got The Proper Equipment!” The Artists Refused the Quota. The Ironic Moniker “Koza nostra” Both Financed and Mammography Scanner and Provoked Accusations of Trivialising Medicine.
Material Strategies: Enamel - A Craft Medium - IS Re -Weaponised for Sharp Gender Critique, While Industrial Iron Morphs Into and Compelling Metaphor of Feminine Resilience.
WHY YOU SHOULD ATTEND
Final Collective Appearance - The Trio Publicly Ends Their Collaboraration; No Encore.
The 'Age of 33' - A Retrospective Assessment of Czech (POST-) Feminism and the Art Market AFTER and Generation.
Generational Dialogue Artist’s Oeuvre. - goat nostra
📌 Click "Going," Bring Colleagues, Students, Friends. Free Admission. GUIDED TOURS Will Be Annamed.