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luggage, wish - Tuomas Lehtomaa, Ville Karlsson
Luggage, Wish - Tuomas Lehtomaa, Ville Karlsson
Event by: FaVU VUT
Location: Údolní 244/53, Údolní 53, Brno-střed
Concerts, Exhibitions
About event
Luggage, Wish
Tuomas Lehtomaa, Ville Karlsson
12. 3. - 23. 4. 2025 Href = "https://soundCloud.com/unforcederrors"> https://soundCloud.com/unforcederrors
The forefinger that forms the mass into life, continuity of the outline. It reaches for the shape. What remains and what is now puts in life. What was already rotated, vibrates, oscillates. Clicking to open, to relax the motif, to swing is formed up the stairs. September as a song.
The building is an independent body with its own organs; Live and variable entity with internal structures that cannot be dismantled. The exhibition space is part of a complex network of materials and meanings. Objects are like decorative branches, free, sovereign ornaments that always suspend in different ways. The essence and quality of the space are present in every exhibition, but inconspicuously; radiators, water pipes, corridors, wall shapes and ceilings. Attention is attached elsewhere. In inconspicuous gestures, in matters left unnoticed, is beauty; The ubiquity of the matter to which we have a constant relationship. Nature, everyday goods, other bodies, our thoughts and feelings of them and ontical transformations between internal and surrounding. The Luggy, Wish exhibition is formed on the spot, through negotiations and approaches to the place. This process practice depends on the possibilities and limitation of distances, transitions, known and unknown. Reaching for and Shape. What is a left and what now is brings into being what alley was, turns, and vibration, swivel. And Click to Open, this release and Motive, and Swing That Goes in the Form of A Staircase. Shiny, Like and Song.
and Building is an Independent Body with Its Own organs; and living and changing entity with internal structures That Cannot Be Dismantled. The Exhibition Space Is Part of A Complex Web of Materials and Meanings. Objects are Like Decorative Branches, Loose, Sovereign ornaments That Are Always Re-Hanging in Different Ways. The Essence and Qualities of the Space Are Present in Each Exhibition, But Unobtrusive; Radiators, Plumbing Fixtures, Corridors, Wall and Ceiling Shapes. Attention is Drawn Elsewhere. THERE IS BEAUTY IN INFRATHIN GESTURES, THINGS LEFT UNNOTICED; The Omnitence of Matter We Have Constant Relation With. Nature, Mundane Commodities, Other Bodies, Our Thoughts and Feelings TOWards Theme and the Ontic Shift Between the Inner and Surrounding.
The Exhibition Luggage, Wish Takes Form In-Site, Through Negotiacs and Approaches with the place. This process-Based Practice is Reliant With the Possibilities and Limitations of the Distance, Transition, Familiar and the Unknown.
Tuomas Lehtomaa, Ville Karlsson
12. 3. - 23. 4. 2025 Href = "https://soundCloud.com/unforcederrors"> https://soundCloud.com/unforcederrors
The forefinger that forms the mass into life, continuity of the outline. It reaches for the shape. What remains and what is now puts in life. What was already rotated, vibrates, oscillates. Clicking to open, to relax the motif, to swing is formed up the stairs. September as a song.
The building is an independent body with its own organs; Live and variable entity with internal structures that cannot be dismantled. The exhibition space is part of a complex network of materials and meanings. Objects are like decorative branches, free, sovereign ornaments that always suspend in different ways. The essence and quality of the space are present in every exhibition, but inconspicuously; radiators, water pipes, corridors, wall shapes and ceilings. Attention is attached elsewhere. In inconspicuous gestures, in matters left unnoticed, is beauty; The ubiquity of the matter to which we have a constant relationship. Nature, everyday goods, other bodies, our thoughts and feelings of them and ontical transformations between internal and surrounding. The Luggy, Wish exhibition is formed on the spot, through negotiations and approaches to the place. This process practice depends on the possibilities and limitation of distances, transitions, known and unknown. Reaching for and Shape. What is a left and what now is brings into being what alley was, turns, and vibration, swivel. And Click to Open, this release and Motive, and Swing That Goes in the Form of A Staircase. Shiny, Like and Song.
and Building is an Independent Body with Its Own organs; and living and changing entity with internal structures That Cannot Be Dismantled. The Exhibition Space Is Part of A Complex Web of Materials and Meanings. Objects are Like Decorative Branches, Loose, Sovereign ornaments That Are Always Re-Hanging in Different Ways. The Essence and Qualities of the Space Are Present in Each Exhibition, But Unobtrusive; Radiators, Plumbing Fixtures, Corridors, Wall and Ceiling Shapes. Attention is Drawn Elsewhere. THERE IS BEAUTY IN INFRATHIN GESTURES, THINGS LEFT UNNOTICED; The Omnitence of Matter We Have Constant Relation With. Nature, Mundane Commodities, Other Bodies, Our Thoughts and Feelings TOWards Theme and the Ontic Shift Between the Inner and Surrounding.
The Exhibition Luggage, Wish Takes Form In-Site, Through Negotiacs and Approaches with the place. This process-Based Practice is Reliant With the Possibilities and Limitations of the Distance, Transition, Familiar and the Unknown.