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Maja Štefančíková: Prchavé sousoší v Galerii Rudolfinum | Iván Argote: Radical Tenderness
Maja Štefančíková: Fluge sculpture in the Rudolfinum Gallery | Ivan Argote: Radical Tenderness
Event by: Galerie Rudolfinum
Location: Alšovo nábř. 79/12, Alšovo nábřeží 12, Praha 1
Dance, Exhibitions
About event
Do not miss the accompanying program for the current exhibition Iván Argote: Radical Tenderness, author of artist Maja Štefančíková. Her migrant performative events will take place on Thursday, July 31, from 16:00 to about 20:00. We start in the Rudolfinum Gallery and the entrance is free.
👅
▸ ▸ What awaits you? The author deals with social phenomena such as work, institutions or artistic operation; It examines and comments on the aesthetic experience, perception and memory. For a long time, he has been questions of spectator perception, which he tests through and unobtrusive, often invisible, empty, quiet or other subversive entrances trying to activate hidden levels of perception. Artists who will carry a fleeting melodic sculpture. Tools designed to work stone will become instruments of music, each blow then compositional element. However, the result will not be a concert, but an intangible sound "sculpture" that will complete public space from another perspective and which will "sound" questions related to the approach to traditional sculpture. However, the ancient Damnatio Memoriae clearly tells us that even the most stable material does not guarantee their eternal duration. So monuments and monuments are much more fragile than it might seem. The event responds not only to the contextual transformations of public space consisting in the "demolition of idols" usually caused by political twists, but also works with collective and individual memory of the instructed viewer, an expert in history and random passers -by. It accentuates the process of its birth - modeling and transforming the material and dynamics of the body of the creator at work, as well as the sound that is produced during stone machining. It diverts attention from the statue as inanimate, rigid and silent material towards a living action, to a performative act. As this sound statue suddenly appears, it also disappears without leaving a physical footprint. Stevens, Alessandra Točoňová, Lukáš Zahy
▸ Music cooperation: Petra Torkošová
▸ Thanks: Juraj Gavula, Matej Gavula, Petra Noskai which is devoted to creating temporary performative situations, especially through movement and voice. In his work, he examines the body as a network of relationships in space and time - its performative situations connect contemplation with playfulness. It conceives them as continuous, long -term actions with solid choreography, which remain open to stimuli and interactions from the environment. He currently works at the University of Fine Arts in Bratislava, where he leads the laboratory of performances.
▼ bit.ly/ivan-argote-radical-tenderness
▼ 17: 45–18: 00 Music and movement composition at the Marian Column on the Old Town Square
▸ 19: 30-19: 45 Conclusion in the court of Rudolfin Bratislave.
--——
Maja Štefančíková: Epheral Sculpture in Gallery Rudolfinum | Iván Argote: Radical Tenderness
Don’t Miss The Accompanying Program to the current exhibition Ivan Argote: Radical Tenderness by Artist Maja Štefančíková. The Migratory Performative Event Will Take Place on Thursday, July 31 from 4 PM to Approximates 8 PM. The start is at the Rudolfinum and Admission is Free.
👅
She is intestcted in social phenomena, drought as work, institutions or the world of art; Examining and Commenting on Aesthetic Experience, Perception and Memory. In the long therm, she deals with the issues of the perception of the audience, what they tests by inconspicuous, optic Invisible, Empty, Silent or OtherWise Subversive Inputs, Trying to Activate the Hidden Levels of Perception. Closely Tied with the political representation of the Changing Social Establishments, The Artist Will Enact and Moving Performative Event with and Group of Artists Who Will Chisel Fleeting Melodic Sculptural Groups. Tools Made for Working Stone Will Become Musical Instruments, Each Stroke and Compositional Element. But Rather Than and Concert the Result Will Be An Untouchable Sound "Sculpture" That Will Complement The Public Space From and Different Perspective and Will "Resound" Issues Related with the Approach to Traditional Sculpting.
Unchangeable Forms. However, The Ancient Damnatio Memoriae Clearly Tells US That Even The Most Stable Material Does Not Guarantee Their Eternal Being. Statues and Memorials Are Therfore More Brittle Than It May Seem. The Performative Action Responds to the Contextual Transformations of the Public Space Consisteing in “Tearing Down Idols” USUALLY DUE TO POLITICAL UPHEAVALS, BUT IT ALSO Works with Collective and Individual Memory of A Informed Viewer PASSER-BY. She Accentuates The Process of Its Origin - Modeling and Transforming the Material and the Dynamics of the Creator’s Body During Work, Just Like the Sound Made When Stone Is Being Worked. In this Way She Deflects Attention From and Sculpture As A Non-Living, Rigid and Silent Mass Twards Live Action-and Performative Act. Just As This Sound Sculpture Suddenly Emerges, SO It Also Disappears Without Leaving and Physical Trace.
Barča Šošolíková, Bea Stevens, Alessandra Točoňová, Lukáš Zahy
▸ Musical Cooperation: Petra Torkošová
Maja Štefančíková IS and Visual Artist and Performer Who Is Dedicated to Creating Temporary Performative Situations, Primarily Through Movement and Voice. HER WORK Explores The Body AS A Network of Relations in Space and Time - HER Performative Situations Combine Contemplation with Playfulness. She Conceives of Themes As Continuous, Long-Term Actions with Fixed Choreography That Remain Open to Stimuli and Interactions from Surrounding Environment. She is currently work at the Academy of Fine Arts in Bratislava, Where She Directs The Laboratórium Performance (Laboratory of Performance).
Argote: Radical Tenderness Exhibition: Bit.ly/ivan-argote-radical-tenderness-en
Motion Composition at Former Stalin Monument (Metronome) at Letná Anytime!
▼
👅
▸ ▸ What awaits you? The author deals with social phenomena such as work, institutions or artistic operation; It examines and comments on the aesthetic experience, perception and memory. For a long time, he has been questions of spectator perception, which he tests through and unobtrusive, often invisible, empty, quiet or other subversive entrances trying to activate hidden levels of perception. Artists who will carry a fleeting melodic sculpture. Tools designed to work stone will become instruments of music, each blow then compositional element. However, the result will not be a concert, but an intangible sound "sculpture" that will complete public space from another perspective and which will "sound" questions related to the approach to traditional sculpture. However, the ancient Damnatio Memoriae clearly tells us that even the most stable material does not guarantee their eternal duration. So monuments and monuments are much more fragile than it might seem. The event responds not only to the contextual transformations of public space consisting in the "demolition of idols" usually caused by political twists, but also works with collective and individual memory of the instructed viewer, an expert in history and random passers -by. It accentuates the process of its birth - modeling and transforming the material and dynamics of the body of the creator at work, as well as the sound that is produced during stone machining. It diverts attention from the statue as inanimate, rigid and silent material towards a living action, to a performative act. As this sound statue suddenly appears, it also disappears without leaving a physical footprint. Stevens, Alessandra Točoňová, Lukáš Zahy
▸ Music cooperation: Petra Torkošová
▸ Thanks: Juraj Gavula, Matej Gavula, Petra Noskai which is devoted to creating temporary performative situations, especially through movement and voice. In his work, he examines the body as a network of relationships in space and time - its performative situations connect contemplation with playfulness. It conceives them as continuous, long -term actions with solid choreography, which remain open to stimuli and interactions from the environment. He currently works at the University of Fine Arts in Bratislava, where he leads the laboratory of performances.
▼ bit.ly/ivan-argote-radical-tenderness
▼ 17: 45–18: 00 Music and movement composition at the Marian Column on the Old Town Square
▸ 19: 30-19: 45 Conclusion in the court of Rudolfin Bratislave.
--——
Maja Štefančíková: Epheral Sculpture in Gallery Rudolfinum | Iván Argote: Radical Tenderness
Don’t Miss The Accompanying Program to the current exhibition Ivan Argote: Radical Tenderness by Artist Maja Štefančíková. The Migratory Performative Event Will Take Place on Thursday, July 31 from 4 PM to Approximates 8 PM. The start is at the Rudolfinum and Admission is Free.
👅
She is intestcted in social phenomena, drought as work, institutions or the world of art; Examining and Commenting on Aesthetic Experience, Perception and Memory. In the long therm, she deals with the issues of the perception of the audience, what they tests by inconspicuous, optic Invisible, Empty, Silent or OtherWise Subversive Inputs, Trying to Activate the Hidden Levels of Perception. Closely Tied with the political representation of the Changing Social Establishments, The Artist Will Enact and Moving Performative Event with and Group of Artists Who Will Chisel Fleeting Melodic Sculptural Groups. Tools Made for Working Stone Will Become Musical Instruments, Each Stroke and Compositional Element. But Rather Than and Concert the Result Will Be An Untouchable Sound "Sculpture" That Will Complement The Public Space From and Different Perspective and Will "Resound" Issues Related with the Approach to Traditional Sculpting.
Unchangeable Forms. However, The Ancient Damnatio Memoriae Clearly Tells US That Even The Most Stable Material Does Not Guarantee Their Eternal Being. Statues and Memorials Are Therfore More Brittle Than It May Seem. The Performative Action Responds to the Contextual Transformations of the Public Space Consisteing in “Tearing Down Idols” USUALLY DUE TO POLITICAL UPHEAVALS, BUT IT ALSO Works with Collective and Individual Memory of A Informed Viewer PASSER-BY. She Accentuates The Process of Its Origin - Modeling and Transforming the Material and the Dynamics of the Creator’s Body During Work, Just Like the Sound Made When Stone Is Being Worked. In this Way She Deflects Attention From and Sculpture As A Non-Living, Rigid and Silent Mass Twards Live Action-and Performative Act. Just As This Sound Sculpture Suddenly Emerges, SO It Also Disappears Without Leaving and Physical Trace.
Barča Šošolíková, Bea Stevens, Alessandra Točoňová, Lukáš Zahy
▸ Musical Cooperation: Petra Torkošová
Maja Štefančíková IS and Visual Artist and Performer Who Is Dedicated to Creating Temporary Performative Situations, Primarily Through Movement and Voice. HER WORK Explores The Body AS A Network of Relations in Space and Time - HER Performative Situations Combine Contemplation with Playfulness. She Conceives of Themes As Continuous, Long-Term Actions with Fixed Choreography That Remain Open to Stimuli and Interactions from Surrounding Environment. She is currently work at the Academy of Fine Arts in Bratislava, Where She Directs The Laboratórium Performance (Laboratory of Performance).
Argote: Radical Tenderness Exhibition: Bit.ly/ivan-argote-radical-tenderness-en
Motion Composition at Former Stalin Monument (Metronome) at Letná Anytime!
▼