This event has been ended!
MAUZÓLEUM CHRISTINY IMMACULATY (#7) IN INTUOSTINY
Event by: FUGA
Location: Námestie SNP 142/24, Námestie SNP 24, Bratislava - Staré Mesto
Concerts, Exhibitions
About event
Author: Christina Immaculata
Exhibition: in intuostiny
Place: FUGA, Nám. SNP 24
Vernissage: 16.6.2025 at 19:00
Refreshments: Bar Fuga, Cherries and Legends talk about vegan meatballs with sauce
Music guests: DJS +- Soundsystem
Christina Immaculata, real name Kristína Mikluščáková, is a young intermediate artist, a student at the Academy of Fine Arts and Design, soon listener of the Department of Painting. In his author's work, he abandons the strict monochrome geometrizing and linear expression, which is known in the visuals +-soundsystem, for which it consists of long-term posters and decorations. What remains faithful is the figurative theme lost in the abstracted technocratic world. They are full of inner emotions, alive to too much, with all human despair, ills and passions that have accompanied us since the time of the ancient gods. In the sails, we meet them face to face and acting in the emotional overpressure of being, or they are arid and generalized in a flat manager. This second expression radiates a passive antagonistic attitude to life and situations into which the surroundings and events often throw us or pushed without our will. We are carried away by the currents of the unconscious, or helplessness or banality. Sometimes they remind the board of the race, the archetype of an unwritten plate, perhaps the symbol of a young person on the threshold of adulthood, who still has to experience, be huged by the great kind, or meet all the stones in the middle of a straight road. Mostly the female figure thus becomes a symbol of our subconscious, the depths of our mind, which we must conquer, the hill that needs to be mined and the forest attacked by the pest convicted of destroying the whirlwind. They are partly intimate portraits on the edge of voyerism, with a piece of childhood innocence and awakening seduction. and retaining places. Likewise, the material choice of unpunished pad helps to a sense of weightlessness, cognitive dissonance of views in which one is so easily drowned. Paradoxically, in the impact of external physical phenomena, ie literally wind in sails, we gain a sense of meditative intuition and ancient wisdom, albeit wrapped in the already already profane Vyhnia of the Himalayan flags or the just laundry laundry. After the imaginary enclosure in Christin's paintings, we can again escape from reality to kitsch lightness.
Gabriel Halás
Exhibition: in intuostiny
Place: FUGA, Nám. SNP 24
Vernissage: 16.6.2025 at 19:00
Refreshments: Bar Fuga, Cherries and Legends talk about vegan meatballs with sauce
Music guests: DJS +- Soundsystem
Christina Immaculata, real name Kristína Mikluščáková, is a young intermediate artist, a student at the Academy of Fine Arts and Design, soon listener of the Department of Painting. In his author's work, he abandons the strict monochrome geometrizing and linear expression, which is known in the visuals +-soundsystem, for which it consists of long-term posters and decorations. What remains faithful is the figurative theme lost in the abstracted technocratic world. They are full of inner emotions, alive to too much, with all human despair, ills and passions that have accompanied us since the time of the ancient gods. In the sails, we meet them face to face and acting in the emotional overpressure of being, or they are arid and generalized in a flat manager. This second expression radiates a passive antagonistic attitude to life and situations into which the surroundings and events often throw us or pushed without our will. We are carried away by the currents of the unconscious, or helplessness or banality. Sometimes they remind the board of the race, the archetype of an unwritten plate, perhaps the symbol of a young person on the threshold of adulthood, who still has to experience, be huged by the great kind, or meet all the stones in the middle of a straight road. Mostly the female figure thus becomes a symbol of our subconscious, the depths of our mind, which we must conquer, the hill that needs to be mined and the forest attacked by the pest convicted of destroying the whirlwind. They are partly intimate portraits on the edge of voyerism, with a piece of childhood innocence and awakening seduction. and retaining places. Likewise, the material choice of unpunished pad helps to a sense of weightlessness, cognitive dissonance of views in which one is so easily drowned. Paradoxically, in the impact of external physical phenomena, ie literally wind in sails, we gain a sense of meditative intuition and ancient wisdom, albeit wrapped in the already already profane Vyhnia of the Himalayan flags or the just laundry laundry. After the imaginary enclosure in Christin's paintings, we can again escape from reality to kitsch lightness.
Gabriel Halás