Nelly Danko: Workshop lidového tance zaměřený na charakterní maďarské národní tance

The workshop is mandatory for LT specialization (including optional) and for KT specialization. In 1961 she was admitted to the Kiyevian state choreographic school, which she successfully completed after eight years of her studies. Since the 1970–1971 season, she joined the National Theater ballet. As a choral dancer danced until 1979. The role of Carmen in the Passion Ballet was her first solo opportunity and, based on her successful management, received a solo treaty. and Julia, mother and death in Bouquet, Lady Macbeth in Macbeth, Jennifer's ribbed, Madge in La Sylphide, Sylvia wardrier or solo roles in modern dialogue, Lyric Chopiniad, unforgettable Spanish dance in Lake In Don Quixote and many others. The special chapter is the cooperation of Nelly Danko with choreographer Libor Vaculík and director Jozef Bednárik. She portrayed Norman's mother in Ballet Psycho from the Dance Double -box Mal Mr. Friedemann / Psycho, Hate of the Montek family in the production of Gounod's opera Roméo et Juliette, Mrs. von Meck in the performance Tchaikovsky, Sweet Sue in someone likes it… and Isador Duncan 1976 It works as a pedagogue of scenic practice, classic and character dance at the Dance Conservatory of Prague. m. Prague. Among other things, she worked with the dance conservatory of Jitka Tázlarová and Antonín Schneider. In 1985 she completed her studies of dance pedagogy at the Prague Academy of Music and Performing Arts, where she taught as an external teacher of character dance since 1986. As a soloist and as a ballet master, she collaborated with a number of world choreographers such as Boris Bregvadz, Yuri Grigorovich, Natalia Dudinskaya, Konstantin Sergeiev, Peter Darrell, László Seregi, Youri Vàmos, Frank Andersen and Jiří Kylián.