Noc tribádek

1889. One night at the Dagmar Theater in Copenhagen. The most famous Misogyn of World Literature History August Strindberg is trying to study his new game. An attempt at a functional theater test and constructive dialogue encounters the waves of endless remorse. The permanent threat of psychological breakdown alternates with the declaration of masculinity and strength. Time burns, every second burns. So to dance! Apocalypse vitality. Infernal cheerfulness. The alertness of the corpses. Unbeatable tendencies to alchemism.

The mystic of the same phrases. Muistens become the spell? Caucated patriarchy. Magic conservatism as an effort to have yourself and the world fully under control. As if the global debate due to supernatural forces refused to move on. Do we experience the impossibility of a new one? How do you imagine hell? Parodically mystical grotesque with elements of conspiracy about the current (unsurpassed?) Impact of progressive and conservative discourse. Enquist's text is complemented by quotations from the book by the leading Italian feminist Carly Lonzi . Meditation about stupid infinity. The embarrassment ritual. Paranoid realism. Hell in which people will say the same every day. Attempted transcendence and farewell. The performance will be followed by a discussion with creators.