Panzerkreuzer Potemkin - Live Klavier

Battleship Potemkin - Live Piano
Wed, November 19th 8:00 p.m.; Wed, November 26th 8:00 p.m.

BASED CRUISER POTEMKIN – Live piano [OmeU] USSR 1925, R: Sergej Eisenstein with Alexander Antonov, Vladimir Barsky, Grigori Alexandrov, 75 min,
Anna Vavilkina live on the piano
Sergej Eisenstein's masterpiece, that changed the world!
Sergej Eisenstein's masterpiece that changed the world!

Only complete, with colored flag! (English Subtitles)
(Scroll down for English) 100 years ago, Sergei Eisenstein struck lightning into the screen, followed by a thunder from Edmund Meisel.
In doing so, they made the cinema the heart and brain of society.
Like Zeus, the cinema entered virtual space, our central nervous system.
The enthusiasm of the wage earners quickly mixed with the hysteria of those in power.
It hit the core the counterattacks began. Bans, censorship, remakes. One is called Metropolis.
Electricity and steel as a synonym for a dynamic whose end is not war and destruction, which corresponds to the genre conventions of American cinema, but a brotherly/sisterly community in which the social separation of rich and poor is overcome.
This spark (Iskra) is no less electrifying today than the Capriccios of Francisco de Goya or the Eroica of Ludwig van Beethoven.
This time the Babylon presents an improvisation by Anna Vavilkina on the piano
After a hundred years, Berlin and the Babylon will once again be the center of cinematography. Because everything starts from here and everything finds its way back here.
Convince yourself, experience the renaissance of the eternal, shattering truth! Now and here. Be part of it.
Timothy Grossman

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ENGL.
100 years ago, Sergei Eisenstein struck lightning onto the screen, followed by Edmund Meisel's thunder.
In doing so, they made the cinema the heart and brain of society.
Cinema entered virtual space like Zeus, our central nervous system.
The enthusiasm of wage earners quickly mingled with the hysteria of the ruling class. Struck to the core, the counterattacks began. Bans, censorship, remakes. One is called Metropolis.
Electricity and steel as synonyms for a dynamic that does not end in war and destruction, as is the case in American cinema, but in a brotherly/sisterly community in which the social divide between rich and poor is overcome.
This spark (Iskra) is no less electrifying today than Francisco de Goya's Capriccios or Ludwig van Beethoven's Eroica.
The Babylon presents an improvised score from our organ player Anna Vavilkina at the PIANO
After a hundred years, Berlin and the Babylon are once again the center of cinematography. Because everything starts here and everything finds its way back here.
See for yourself, experience the renaissance of the eternal, shattering
truth! Here and now. Be part of it.
Timothy Grossman