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Requiem
Event by: Cantorei der Reformationskirche
Location: Zwölf-Apostel-Kirchengemeinde, An der Apostelkirche 1, Berlin - Bezirk Tempelhof-Schöneberg
About event
Direction: Maximilian Kleinert
Cantorei of the Reformation Church and musicians from the Otto-Sinfoniker & friends
Soprano: Johanna Krause; Alto: Antonia Glugla; Tenor: Konrad Furian; Bass: Achmed Zmero
Free entry. Donations requested.
Website: cantorei.de
Mozart's Requiem is one of the most heartfelt, moving and comforting funeral masses. The Latin texts depict the Last Judgment in impressive, shocking and frightening images; but also speak of God's mercy and give believers the prospect of eternal life in the afterlife. Wolfgang Amadeus Mozart (1756-1791) died while working on this work at the age of 35. It was completed by his student Franz She was taught piano and composition by Joseph Haydn. Wolfgang Amadeus Mozart (1756-1791) was also a guest at their “musical evening entertainments” and played his own compositions four hands on the piano with Martines. In 1773 she became the first woman to become a member of the Accademia Filarmonica di Bologna, then one of the most important European awards for composers. She composed “Dixit Dominus” in 1774 for the Accademia Filarmonica di Bologna.
Cantorei of the Reformation Church and musicians from the Otto-Sinfoniker & friends
Soprano: Johanna Krause; Alto: Antonia Glugla; Tenor: Konrad Furian; Bass: Achmed Zmero
Free entry. Donations requested.
Website: cantorei.de
Mozart's Requiem is one of the most heartfelt, moving and comforting funeral masses. The Latin texts depict the Last Judgment in impressive, shocking and frightening images; but also speak of God's mercy and give believers the prospect of eternal life in the afterlife. Wolfgang Amadeus Mozart (1756-1791) died while working on this work at the age of 35. It was completed by his student Franz She was taught piano and composition by Joseph Haydn. Wolfgang Amadeus Mozart (1756-1791) was also a guest at their “musical evening entertainments” and played his own compositions four hands on the piano with Martines. In 1773 she became the first woman to become a member of the Accademia Filarmonica di Bologna, then one of the most important European awards for composers. She composed “Dixit Dominus” in 1774 for the Accademia Filarmonica di Bologna.