This event has been ended!
Tasty Shield
Event by: Industra, Industra Art, Industra Art
Location: Industra, Lazaretní 925/9, Brno-Židenice
Discussions and lectures, Art Exhibitions
About event
The last exhibition of 2024 awaits us!
This time we will be visited by curator Jieon Lee, who together with Korean and European artists will present an immersive installation:
Tasty Shield
🛡️ Artists / Artists :
Flora Lechner
Gijeong Goo
Hansol Kim
Siyoung Yang
🦴 Curator / Curator:
Jieon Lee
🥽 Designer:
Gunjung Lee
Duration of the exhibition: 11/12 – 07/02 2024
Opening: WEDNESDAY❗Wednesday❗11/12 18.00
CZ/
A vulnerable being always craves armor. Tasty Shield encourages the soft and cartilaginous bones that sought the carapace. The 'surface' is ultimately the first level we encounter. The exhibition imagines the landscape beneath it.
EN/
A vulnerable being always desires armour. Tasty Shield invites soft and cartilage bones that have searched for the shell. 'Surface' is ultimately the first level we encounter. The exhibition imagines a landscape of the beneath.
_____
🦴 Jieon Lee
A curator who artfully connects scientific images - factual and fictional - with the emergence of a new normality. It focuses on various media and technologies using the body as a medium and explores the intersection of scientific and social change. Among other things, Lee was the curator of the thematic pavilion maltabiennale.art Hybrid Landscape is Isolated (National Archaeological Museum, Valletta, 2024), A Deliberate and Rapid Transplant (Art Space Mullae, Seoul, 2023), Underwater Hibernation (PLACEMAK3, Seoul, 2021).< br/>
A curator, adeptly connects scientific images—factual and fictional—with the emergence of new normality. Focused on various media and technologies utilizing the body as a medium, she explores the intersection of scientific and societal shifts. Lee curated maltabiennale.art Thematic Pavilion Hybrid Landscape is Isolated (National Museum of Archaeology, Valletta, 2024), A Deliberate and Rapid Transplant (Art Space Mullae, Seoul, 2023), Underwater Hibernation (PLACEMAK3, Seoul, 2021), among others.
🦴 Flora Lechner
applies an interdisciplinary approach, combining sculpture, design and moving images. It examines the useful properties and methods of handling an object or material. He tries to interrupt this suggestion, change its purpose or even overemphasize it by confronting the object with its absurdity. In this way, he plays with instructions and imagination, exploring different levels of reality and challenging conventions. She participated in group exhibitions, for example Cruising (Huidenclub, Rotterdam, 2022).
takes an interdisciplinary approach, combining sculpture, design and moving images. She examines the utility and handling suggested by an object or material. She tries to interrupt, repurpose or even overemphasize the suggestion by confronting the object with its absurdities. In this way, she plays with guidelines and imagination, exploring different levels of reality and challenging conventions. She participated in group shows such as Cruising (Huidenclub, Rotterdam, 2022).
🦴 Goo Gijeong
explores the complex interplay between humans, machines and nature by transforming real landscapes into digital images through 3D rendering and converts them into images and installations in physical space. Real landscapes, replicated by digital technology, combine with virtual elements of augmented reality, creating an atmosphere on the border between reality and virtuality. Had e.g. solo exhibition Contrology (Hall 1, Seoul, 2022).
explores the intricate interplay among humans, machines, and nature by transforming actual landscapes into digital imagery through 3D rendering and translating them into images and installations within physical spaces. Real landscapes, replicated by digital technology, converge with virtual elements of augmented reality, giving rise to an ambience that dwells on the borderline between reality and virtuality. He had for example the solo exhibition Contrology (Hall 1, Seoul, 2022).
🦴 Hansol Kim
explores fashion and clothing with unwavering passion and obsession, exploring the multifaceted roles and formal possibilities of clothing from social, political, economic and cultural perspectives. He presented himself in solo exhibitions Like a Cloth to a Frame (Sothu, Zurich, 2022), Anatomies in Limbo (Het Nieuwe Instituut, Rotterdam, 2020) together with group exhibitions such as What Things Dream About (National Museum of Modern and Contemporary Art, Seoul, 2024) and others.
explores fashion and clothing with an unwavering passion and obsession and delves into the multifaceted roles and formal possibilities of attire from the social, political, economic and cultural aspects. He has presented solo exhibitions Like a Cloth to a Frame (Sothu, Zurich, 2022), Anatomies in Limbo (Het Nieuwe Instituut, Rotterdam, 2020), along with group shows such as What Things Dream About (The National Museum of Modern and Contemporary Art, Seoul, 2024) and others.
🦴 Siyoung Yang
explores the evolving relationship between digital culture and physical reality, focusing on how social phenomena manifest in visual and material forms. Her pictorial replication translates the visual overload of contemporary digital life into physical objects and installations that serve as social commentary and are consumed as images in an endless cycle of digital consumption. For example, she had a solo exhibition #ToiletpaperCrisis (Baltan Laboratories, Eindhoven 2021)
investigates the evolving relationship between digital culture and physical reality, focusing on how social phenomena manifest in visual and material forms. Her image replication translates the visual overload of contemporary digital life into physical objects and installations that serve as social commentary and are consumed as images within the endless cycle of digital consumption. She had for example the solo exhibition #ToiletpaperCrisis (Baltan Laboratories, Eindhoven 2021).
_____
With financial support
Statutory City of Brno
Ministry of Culture
The activities of the INDUSTRA ART gallery were supported by the Avast Foundation Fund, ArtMap, Artalk, partners CPI Property Group
This time we will be visited by curator Jieon Lee, who together with Korean and European artists will present an immersive installation:
Tasty Shield
🛡️ Artists / Artists :
Flora Lechner
Gijeong Goo
Hansol Kim
Siyoung Yang
🦴 Curator / Curator:
Jieon Lee
🥽 Designer:
Gunjung Lee
Duration of the exhibition: 11/12 – 07/02 2024
Opening: WEDNESDAY❗Wednesday❗11/12 18.00
CZ/
A vulnerable being always craves armor. Tasty Shield encourages the soft and cartilaginous bones that sought the carapace. The 'surface' is ultimately the first level we encounter. The exhibition imagines the landscape beneath it.
EN/
A vulnerable being always desires armour. Tasty Shield invites soft and cartilage bones that have searched for the shell. 'Surface' is ultimately the first level we encounter. The exhibition imagines a landscape of the beneath.
_____
🦴 Jieon Lee
A curator who artfully connects scientific images - factual and fictional - with the emergence of a new normality. It focuses on various media and technologies using the body as a medium and explores the intersection of scientific and social change. Among other things, Lee was the curator of the thematic pavilion maltabiennale.art Hybrid Landscape is Isolated (National Archaeological Museum, Valletta, 2024), A Deliberate and Rapid Transplant (Art Space Mullae, Seoul, 2023), Underwater Hibernation (PLACEMAK3, Seoul, 2021).< br/>
A curator, adeptly connects scientific images—factual and fictional—with the emergence of new normality. Focused on various media and technologies utilizing the body as a medium, she explores the intersection of scientific and societal shifts. Lee curated maltabiennale.art Thematic Pavilion Hybrid Landscape is Isolated (National Museum of Archaeology, Valletta, 2024), A Deliberate and Rapid Transplant (Art Space Mullae, Seoul, 2023), Underwater Hibernation (PLACEMAK3, Seoul, 2021), among others.
🦴 Flora Lechner
applies an interdisciplinary approach, combining sculpture, design and moving images. It examines the useful properties and methods of handling an object or material. He tries to interrupt this suggestion, change its purpose or even overemphasize it by confronting the object with its absurdity. In this way, he plays with instructions and imagination, exploring different levels of reality and challenging conventions. She participated in group exhibitions, for example Cruising (Huidenclub, Rotterdam, 2022).
takes an interdisciplinary approach, combining sculpture, design and moving images. She examines the utility and handling suggested by an object or material. She tries to interrupt, repurpose or even overemphasize the suggestion by confronting the object with its absurdities. In this way, she plays with guidelines and imagination, exploring different levels of reality and challenging conventions. She participated in group shows such as Cruising (Huidenclub, Rotterdam, 2022).
🦴 Goo Gijeong
explores the complex interplay between humans, machines and nature by transforming real landscapes into digital images through 3D rendering and converts them into images and installations in physical space. Real landscapes, replicated by digital technology, combine with virtual elements of augmented reality, creating an atmosphere on the border between reality and virtuality. Had e.g. solo exhibition Contrology (Hall 1, Seoul, 2022).
explores the intricate interplay among humans, machines, and nature by transforming actual landscapes into digital imagery through 3D rendering and translating them into images and installations within physical spaces. Real landscapes, replicated by digital technology, converge with virtual elements of augmented reality, giving rise to an ambience that dwells on the borderline between reality and virtuality. He had for example the solo exhibition Contrology (Hall 1, Seoul, 2022).
🦴 Hansol Kim
explores fashion and clothing with unwavering passion and obsession, exploring the multifaceted roles and formal possibilities of clothing from social, political, economic and cultural perspectives. He presented himself in solo exhibitions Like a Cloth to a Frame (Sothu, Zurich, 2022), Anatomies in Limbo (Het Nieuwe Instituut, Rotterdam, 2020) together with group exhibitions such as What Things Dream About (National Museum of Modern and Contemporary Art, Seoul, 2024) and others.
explores fashion and clothing with an unwavering passion and obsession and delves into the multifaceted roles and formal possibilities of attire from the social, political, economic and cultural aspects. He has presented solo exhibitions Like a Cloth to a Frame (Sothu, Zurich, 2022), Anatomies in Limbo (Het Nieuwe Instituut, Rotterdam, 2020), along with group shows such as What Things Dream About (The National Museum of Modern and Contemporary Art, Seoul, 2024) and others.
🦴 Siyoung Yang
explores the evolving relationship between digital culture and physical reality, focusing on how social phenomena manifest in visual and material forms. Her pictorial replication translates the visual overload of contemporary digital life into physical objects and installations that serve as social commentary and are consumed as images in an endless cycle of digital consumption. For example, she had a solo exhibition #ToiletpaperCrisis (Baltan Laboratories, Eindhoven 2021)
investigates the evolving relationship between digital culture and physical reality, focusing on how social phenomena manifest in visual and material forms. Her image replication translates the visual overload of contemporary digital life into physical objects and installations that serve as social commentary and are consumed as images within the endless cycle of digital consumption. She had for example the solo exhibition #ToiletpaperCrisis (Baltan Laboratories, Eindhoven 2021).
_____
With financial support
Statutory City of Brno
Ministry of Culture
The activities of the INDUSTRA ART gallery were supported by the Avast Foundation Fund, ArtMap, Artalk, partners CPI Property Group