Teoreticko-praktický semináře Multi-partnering s Lívií Balážovou MM a Zebastiánem M. Marínem

Recommended for students who attend courses dance with a partner of MST, choreographic practice 1., 2.r. CH, Dance Practice of the MST (covers 20h from 24h of these subjects). It is recommended to all students of choreography and students of pedagogy with a specialization of MST 1.-5.R. Participation is necessary throughout the workshop.

Reservation until September 10, 2025 is necessary for all, including those who have these subjects in their study plan of the academic year 2025/2026. Capacity limited. The remaining places on the deadline will be offered to other AMU students and public students. and multiple groups. They work with the idea that empathy is a tool of communication; a term that should not be confused with constant consent or indifference. Through the game with empathy, they study three basic activities of the body work in interaction: to follow, resist, transform. These three responses to stimuli allow them to freely understand, deepen the possibilities of the movement dictionary and growth thanks to the risks that open the door to another element to this type of work. This element is an understanding of the role that is not intended. It is constantly changing during interaction. Understanding the role of the dancer plays is essential for the amplification of the event. In this way, it seeks to break the pyramid hierarchical ideology in partner work to stimulate new material that contains different levels of dynamics and leads participants to experiment with greater risks, but at the same time guarantees the security and conflicts of conflicts in difficult situations. She studied at the J. L. Belly Conservatory in Banská Bystrica. Bachelor and Master's studies were completed at Salzburg Experimental Academy of Dance in Austria. This was followed by a study at Performing Arts Research and Training Studios in Brussels, Belgium. As an performer she participated in artistic productions, such as the Studio Dance Theater (3x20 women/Chinx), out of the mirror (magical mirror of the millennium), Ultima Ze Wim Vandekybus (spoke quietly when you speak love, Belgium). Kubilai Khan Investigations (France), Rui Horta (Portugal).
She led workshops in Slovakia, Germany, Belgium, Canada, Chile, Costa Rica, Hungary, Mexico, Nicaragui, New York, Panama, Portugal, the Czech Republic, Russia, Austria and Greece. Network.

Zebastian Méndez Marin
comes from San José in Costa Rica. He started his career at the theater. As a son of a Costa Rican playwright and actor Melvin Méndez Chinchilly, he grew up among theater rehearsals and screenplays. He studied at the El Barco Conservatory, a reference space for contemporary dance in Central America.
He performed and worked closely on artistic productions with directors and organizations such as Jimmy Ortiz and Las Hijas de Otro (Costa Rica), Center for Research and Dance production at Rafael Landivar (Guatemala), prestigious theater and dance ensemble ULTIMA VEDEKYBUS (Belgie), Honey and Dust (Slovakia), R3M (Costa Rica), Nemos (Slovakia) and Teatro Studio Tanca (Slovakia). He co -founded with Lívia Balážová mm online platform of the Red Movement Network. They build artistic processes based on games that perceive a creative tool to break stereotypical visions of performers and spectators in a stage act. They shift the boundaries of artistic creation of the preference of human principles: empathy, respect and concensus as the main factors for the celebration of beauty in diversity.