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Trànsits: Memòria en moviment. Cultura i identitat al fandango jarocho, conversa
Transites: Motion memory. Culture and identity to the fandango jarocho, conversation
Event by: Museu de la Música de Barcelona
Location: Casal de barri de Can Carol, Carrer de Cambrils 24, Barcelona - Gràcia
About event
Free access until completing capacity.
Culture, identity, festival and cultural hybridization are some of the topics that are discussed in this conversation prior to the Sleep Festival, originally from the Scevent of Veracruz, Mexico, and currently a global phenomenon that combines elements of indigenous, African and Spanish traditions with urban culture. diaspora? How do you live spirituality in this celebration? What does it mean today, to participate in a Fandango Jarocho open?
The conversation includes the projection of the Fandango short film in Chinameca by Isaac Kerlow and an open colloquium with several musicians and members of the Jarocha community.
They participate ::
Ramón Gutiérrez Hernández
Veracruz and musical director of Son de Madera, composer and laudero.
Cecilia Gómez Aguilar
Son de Madera dancer, specializing in various types of dance: folkloric, African, AfroCubana, Son Jarocho Traditional, Salsa, Son Cubà and flamenco.
Simao Hernández Carrillo
Anthropologist by the National School of Anthropology and History and Musician. Researcher of the Jarocha and Huasteca tradition. He has participated in different musical formations between Mexico and Barcelona. He also works in intercultural and community mediation.
Leopoldo Novoa Matallana
composer and Colombian-mexican performer, born in Bogotá. A member of the Son Jarocho Zacamandu and Chuchumbé groups, he is the founder of Tembembe Ensamble Continuo, regularly invited by Jordi Savall and Hespèrion XXI.
Moderated by: Pedro Strukelj, cultural manager of Casa America Catalunya. of Can Carol neighborhood
Culture, identity, festival and cultural hybridization are some of the topics that are discussed in this conversation prior to the Sleep Festival, originally from the Scevent of Veracruz, Mexico, and currently a global phenomenon that combines elements of indigenous, African and Spanish traditions with urban culture. diaspora? How do you live spirituality in this celebration? What does it mean today, to participate in a Fandango Jarocho open?
The conversation includes the projection of the Fandango short film in Chinameca by Isaac Kerlow and an open colloquium with several musicians and members of the Jarocha community.
They participate ::
Ramón Gutiérrez Hernández
Veracruz and musical director of Son de Madera, composer and laudero.
Cecilia Gómez Aguilar
Son de Madera dancer, specializing in various types of dance: folkloric, African, AfroCubana, Son Jarocho Traditional, Salsa, Son Cubà and flamenco.
Simao Hernández Carrillo
Anthropologist by the National School of Anthropology and History and Musician. Researcher of the Jarocha and Huasteca tradition. He has participated in different musical formations between Mexico and Barcelona. He also works in intercultural and community mediation.
Leopoldo Novoa Matallana
composer and Colombian-mexican performer, born in Bogotá. A member of the Son Jarocho Zacamandu and Chuchumbé groups, he is the founder of Tembembe Ensamble Continuo, regularly invited by Jordi Savall and Hespèrion XXI.
Moderated by: Pedro Strukelj, cultural manager of Casa America Catalunya. of Can Carol neighborhood
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