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VASIL ARTAMONOV – MONSTERA
Vasil Artamonov - Monster
Event by: Clauda
Location: Veverkova 28, Veverkova 28, Praha 7
About event
Vasil Artamonov - Monstera
Text: Eva Slabá
Clauda
Veverkova 28, Prague 7
Clauda.cz English)
The solo exhibition Vasila Artamon in Clauda presents a series of the last paintings, which he takes for his symbolism of everyday life. The name itself suggests that these are scenes that may seem ordinary at first glance, but their visual simplicity hides deeper layers of restlessness and adaptation. The well -known house plant - monster - commonly seen in corporate openpaces, corridors of prefabricated houses, offices or waiting rooms today is neutral, but previously it was a strange and slightly frightening "monster". However, Artamon's monster is metaphorically ripping out of its decorative framework by revealing its meanings of silent ubiquity and returning the ability to symbolize the latent tension that remains hidden under a layer of normality. In addition to the illusion of the reality, his paintings are more precisely modulated - they grasp the complexity of reality in its specific and silent threats, and witness the transformations of perception, indicators of our adaptable reactions to worrying, which has long existed next to us without being fully aware of it. Monstera
Text by Eva Slabá
Clauda
Veverkova 28, Prague 7
Clauda.cz Exhibition at Clauda Presents and Series of Recent Paintings That Draw on the symbolism of the Everyday. The Title Itself Suggests That These Are Scenees That May Seem Ordinary at First Glan; However, Air Visual Simplicity Conceals Deeper Layers of Unease and Adaptation. And Familiar HousePlant - the Monster - Commonly Seen in Corporate Open Spaces, Government Offices, Waiting Rooms, and the Hallways of Apartment Blocks Nowadays APPEARS, But It Was Once and Strangely Shaped and Slightly Frightling "Monster." Howver,
Artamonov Metaphorically Plucks the Monster from Its Decorative Framework, Revealing the Meanings Behind Its Silent Ubiquity and Restoring Its Ability With Data Flows, Surveillance Policies, Or Technological Infrastructure, WHICH HAVE BEEN and Recent Focus of His Work. Artamonov’s paintings are thus --in addition to an illusory imitation of reality - and Precisely Modulated Expression of it. They Grasp the Complexity of Reality, with Its specificity and Silent Threats, Becoming Witness to and Transformation of Perception As Indicators of Oour Adaptive Responses
Text: Eva Slabá
Clauda
Veverkova 28, Prague 7
Clauda.cz English)
The solo exhibition Vasila Artamon in Clauda presents a series of the last paintings, which he takes for his symbolism of everyday life. The name itself suggests that these are scenes that may seem ordinary at first glance, but their visual simplicity hides deeper layers of restlessness and adaptation. The well -known house plant - monster - commonly seen in corporate openpaces, corridors of prefabricated houses, offices or waiting rooms today is neutral, but previously it was a strange and slightly frightening "monster". However, Artamon's monster is metaphorically ripping out of its decorative framework by revealing its meanings of silent ubiquity and returning the ability to symbolize the latent tension that remains hidden under a layer of normality. In addition to the illusion of the reality, his paintings are more precisely modulated - they grasp the complexity of reality in its specific and silent threats, and witness the transformations of perception, indicators of our adaptable reactions to worrying, which has long existed next to us without being fully aware of it. Monstera
Text by Eva Slabá
Clauda
Veverkova 28, Prague 7
Clauda.cz Exhibition at Clauda Presents and Series of Recent Paintings That Draw on the symbolism of the Everyday. The Title Itself Suggests That These Are Scenees That May Seem Ordinary at First Glan; However, Air Visual Simplicity Conceals Deeper Layers of Unease and Adaptation. And Familiar HousePlant - the Monster - Commonly Seen in Corporate Open Spaces, Government Offices, Waiting Rooms, and the Hallways of Apartment Blocks Nowadays APPEARS, But It Was Once and Strangely Shaped and Slightly Frightling "Monster." Howver,
Artamonov Metaphorically Plucks the Monster from Its Decorative Framework, Revealing the Meanings Behind Its Silent Ubiquity and Restoring Its Ability With Data Flows, Surveillance Policies, Or Technological Infrastructure, WHICH HAVE BEEN and Recent Focus of His Work. Artamonov’s paintings are thus --in addition to an illusory imitation of reality - and Precisely Modulated Expression of it. They Grasp the Complexity of Reality, with Its specificity and Silent Threats, Becoming Witness to and Transformation of Perception As Indicators of Oour Adaptive Responses