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Vernisáž ŠTYROCH VÝSTAV v Schemnitz Gallery
Opening of four exhibitions in Schemnitz Gallery
Event by: Schemnitz Gallery
Location: Andreja Sládkoviča 53/2, Andreja Sládkoviča 2, Banská Štiavnica
Exhibitions
About event
We invite you to open the four exhibitions
Friday | 18.7. At 5 pm
Lucia Fabová: The answer is somewhere between 0 and ∞
Curator: Marianna Brinzová
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Kristína Kerekešová, Jakub Mlynarčík: Medz space Michal Žák
. - 25.8. 2025
Schemnitz Gallery, A. Sládkoviča 2, Banská Štiavnica
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We invite you to open four exhibitions of authors and authors Lucie Fabová, Kristína Kerekešová, Jakub Mlynarčík, Kristína Kandriková and Matúš Kurdel in Schemnitz. Gallery. Lucia Fabová is a visual artist who is primarily devoted to the medium of painting, but also overlaps in graphics and object. At the exhibition he presents the latest work together with works from the last two years. It is based on the symbolism of the Chinese calendar, according to which we are in a snake. It interprets intuitively as a period of transformation, undressing from skin, internal growth and recovery. The symbolism of snakes, jellyfish or abstract vibrating waves is transformed into images of movement, transformation and new beginnings in her works - to find answers between zero and infinite. Fab's intervention specifically prepared for the Schemnitz Gallery space presents paintings of various sizes and atypical formats creating a mosaic of shapes and ideas. Their common denominator is a forward movement accompanied by contemplation of flowing.
.
.
Kristína Kerekešová, Jakub Mlynarčík: Medz space
Curator: Martina Ivičič
The exhibition of Medz space is the result of creative fusion Kristína Kerekešová and Jakub Mlynarčík who studied at the Faculty of Arts of the Academy of Arts in the Banks' Arts. Bystrice. The installation in the Schemnitz gallery is based on their interconnection in artistic and personal levels. Kerekešová's starting material is mostly textiles, natural and plant fibers, which ties into complex forms of the so -called weaving and crochet. energy lamps. He has long been devoted to esoteric methods to capture an authentic image outside physical space. Mlynarčík is interested in autobiographical and psychological issues of identity and personal freedom, which he processes through carbon drawing. The fundamental theme is a figure that captures in her various morphological changes. Silence that is not like an absence, but is full and active. The night from the paintings is poured into the space as when the country is lost in the black veil in the evening. At that time, attention is moved from the outside world and the darkness becomes a bearer of knowledge. In the paintings installed in the smallest of the gallery rooms, the author decided to join the motives that are an invitation to her inner world.
.
. It is the boundary of its own matter, the foundation stone of our existence. The hard, firm and durable nature of the metal gets into a dialogue with the round shape of the egg, whose essence the author examines the essence of his work and contrast thus gives the character of the material in which the statue realizes and the fragility with which the symbols are associated. The eternal presence of certain symbols that have been accompanied by civilization from the beginning of the ages and can help us find the landmark on the road to a meaningful future.
.
.
Friday | 18.7. At 5 pm
Lucia Fabová: The answer is somewhere between 0 and ∞
Curator: Marianna Brinzová
.
Kristína Kerekešová, Jakub Mlynarčík: Medz space Michal Žák
. - 25.8. 2025
Schemnitz Gallery, A. Sládkoviča 2, Banská Štiavnica
.
.
We invite you to open four exhibitions of authors and authors Lucie Fabová, Kristína Kerekešová, Jakub Mlynarčík, Kristína Kandriková and Matúš Kurdel in Schemnitz. Gallery. Lucia Fabová is a visual artist who is primarily devoted to the medium of painting, but also overlaps in graphics and object. At the exhibition he presents the latest work together with works from the last two years. It is based on the symbolism of the Chinese calendar, according to which we are in a snake. It interprets intuitively as a period of transformation, undressing from skin, internal growth and recovery. The symbolism of snakes, jellyfish or abstract vibrating waves is transformed into images of movement, transformation and new beginnings in her works - to find answers between zero and infinite. Fab's intervention specifically prepared for the Schemnitz Gallery space presents paintings of various sizes and atypical formats creating a mosaic of shapes and ideas. Their common denominator is a forward movement accompanied by contemplation of flowing.
.
.
Kristína Kerekešová, Jakub Mlynarčík: Medz space
Curator: Martina Ivičič
The exhibition of Medz space is the result of creative fusion Kristína Kerekešová and Jakub Mlynarčík who studied at the Faculty of Arts of the Academy of Arts in the Banks' Arts. Bystrice. The installation in the Schemnitz gallery is based on their interconnection in artistic and personal levels. Kerekešová's starting material is mostly textiles, natural and plant fibers, which ties into complex forms of the so -called weaving and crochet. energy lamps. He has long been devoted to esoteric methods to capture an authentic image outside physical space. Mlynarčík is interested in autobiographical and psychological issues of identity and personal freedom, which he processes through carbon drawing. The fundamental theme is a figure that captures in her various morphological changes. Silence that is not like an absence, but is full and active. The night from the paintings is poured into the space as when the country is lost in the black veil in the evening. At that time, attention is moved from the outside world and the darkness becomes a bearer of knowledge. In the paintings installed in the smallest of the gallery rooms, the author decided to join the motives that are an invitation to her inner world.
.
. It is the boundary of its own matter, the foundation stone of our existence. The hard, firm and durable nature of the metal gets into a dialogue with the round shape of the egg, whose essence the author examines the essence of his work and contrast thus gives the character of the material in which the statue realizes and the fragility with which the symbols are associated. The eternal presence of certain symbols that have been accompanied by civilization from the beginning of the ages and can help us find the landmark on the road to a meaningful future.
.
.