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Viennes Tuning Times and Giordano Farina in Brno on the wings of Baroque and Classicism
Event by: Sebastian Brettfeld, Viennese Tuning Times, Iva Táborská
Location: Úřad městské části Brno-střed, Dominikánská 2, Brno-střed
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Concerts
About event
On Friday, October 10, 2025 from 7 pm, the Brno-střed City District Hall of the Chamber Ensemble Viennes Times will be offered, which will offer an evening full of charming arias and virtuoso compositions from the Baroque and Classicist Champions Treasury-Vivaldi, Händel, Bach, Mozart, Dittersdorf, Spector and Sperger and Others.
The concert will have several peaks. Colored voice, expressive sensitivity and deep experience.
Giordano Farina, a soloist of renowned scenes such as Teatro San Carlo di Napoli or Teatro Verdi di Pisa and awarded from prestigious international competitions (such as Spolu, Musica Sacra, Let’s Sing), is a sought -after performer not only opera but also Baroque and spiritual repertoire. His deep musical expression, sophisticated speech and artistic persuasion will join the singing peaks of the evening.
Iva Táborská and Giordano Farina will also join at the warm end of the evening by performing the famous duet Là or the gift of La Mano from the opera Don Giovanni Wolfgang Amadeus Mozart. The work, which, performed by Ariana Suleiman Shakh on Viola and Sebastian Brettfeld on the historic violon, will offer listeners a dialogue full of emotions, playfulness and melodic beauty.
The concert will offer an exceptional musical experience with an expedition to the 17th and 18th centuries, when music was born in close contact with nature, poetry, and human soul. Ztp.
Viennesis tuning Times The singing arias with spiritual and secular themes are alternated with instrumental duets and concerts of the historical cellon accompanied by Viola. The performances are accompanied by a spoken word to the program, artists and instruments, especially the historical cello. Musica Sacra 2021 competition; Let’s Sing 2021; The Città di Sesto San Giovanni 2014 competition. Teatro San Carlo di Napoli; Silesian Theater Opava; Teatro Verdi di Pisa; Teatro Goldoni di Livorno; Teatro del Giglio di Lucca; Auditorium Parco della Musica di Roma; Teatro Nuovo Giancarlo Menotti di spolerto; Teatro Morlacchi di Perugia; Teatro Rendano di Cosenza; Immling festival etc… Sung the role of Don Basilio, Timur, Banco, Rocco, Mephistophele (concert); Don Pasquale; Alidoro; Figaro and Bartolo (Le Nozze di Figaro); Masetto and Commendatore; Dulcamara; Nonancourt; Zuniga; Angelotti; Uberto, etc.… He regularly also focuses on projects focused on Baroque and oratory repertoire. His performances are characterized by a deep experience, cultivated speech and extraordinary artistic persuasion, which addresses the audience across Europe. He performs as a soloist at the double bass and the historical cellon, and solo played with the Janáček Philharmonic Ostrava, the Philharmonic of the Gustav Mahler Jihlava, the Haná Symphony Orchestra and others. It also deals with the methodology of teaching the game and is the author of the 8. It modifies and arranges the works of classical music, especially with a focus on the Baroque and Classicism period. Until now, he is a registered author of more than 150 publications. He works in the Philharmonic of the Gustav Mahler in Jihlava, the Moravian Chamber Orchestra and various Baroque orchestras. He is the founder of the Viennese tuning Times, focusing mainly on the interpretation of Baroque and Classicist music on the historical violon in the "Viennese tuning". Conservatorio Santa Cecilia in Rome. She is a soloist of Czech Ensemble Baroque, Siletium! Ensemble and Ensemble Inégal, also sang with the Brno Philharmonic Orchestra, Brno Contemporary Orchestra, and performed at the Concentus Moraviae festivals, Janáček Brno and many others. This year she made her debut in Bologna under the baton of Federica Marie Sardelli and at the Prague Spring Festival.
In the stone theater, she debuted in the role of an angel in the stage design of Haydn's creation at the Silesian Theater Opava in the production of Oliver Dohnányi. For the Na Orlí Theater in Brno she studied the roles of Otton (C. Monteverdi - Coronation Poppey), Marty (O. Mácha - Poapy infidelity) or Mother -in -law (S. Szocolaray - Bloody Wedding).
As a member of the Prague Philharmonic Corps, she sang under the baton of Semjon Byčkov, Jakub Hrůši or Tomáš Netopil.
On the basis of success in a foreign competition, she took a tour with the Monteverdi Opera Orfeo after Italy last year with the ending in the Greek Athens. She is a member of the soloist of the Viennes Tuning Times, who enriches the broad repertoire from Baroque to romanticism. She is a member of the Brno National Theater Orchestra, a member of the Orchestral Academy of the Brno Philharmonic and a member and a soloist of the Chamber Ensemble Viennes Tuning Times, focusing on Baroque and Classicist music. As a soloist, for example, she also performed in the Cycle of Young Blood of the Orchestral Academy of Philharmonic Brno, as well as a soloist and head of the VIOL group with the Vasiliev Island on Tour in Germany, France, Netherlands, Belgium and the SCL International Music Festival in Alicente, Spain. She is also a graduate of the Mürren Summer Music Academy in Switzerland. The violon with its Quart-Tercial Akordic "Viennese tuning" (A, D, FIS, A,) sounded fully, rich and libisually, but it was not easy to play in all keys and since the second half of the 19th century it was replaced by a more universal double bass (E and D G). Unfortunately, all Classicist compositions had to be reduced and rewritten, because otherwise it would not be possible to play on the current double bass. The contemporary interpretation for the historic cellon returns the original immense beauty of classical music as it sounded at the time of its inception.
The concert will have several peaks. Colored voice, expressive sensitivity and deep experience.
Giordano Farina, a soloist of renowned scenes such as Teatro San Carlo di Napoli or Teatro Verdi di Pisa and awarded from prestigious international competitions (such as Spolu, Musica Sacra, Let’s Sing), is a sought -after performer not only opera but also Baroque and spiritual repertoire. His deep musical expression, sophisticated speech and artistic persuasion will join the singing peaks of the evening.
Iva Táborská and Giordano Farina will also join at the warm end of the evening by performing the famous duet Là or the gift of La Mano from the opera Don Giovanni Wolfgang Amadeus Mozart. The work, which, performed by Ariana Suleiman Shakh on Viola and Sebastian Brettfeld on the historic violon, will offer listeners a dialogue full of emotions, playfulness and melodic beauty.
The concert will offer an exceptional musical experience with an expedition to the 17th and 18th centuries, when music was born in close contact with nature, poetry, and human soul. Ztp.
Viennesis tuning Times The singing arias with spiritual and secular themes are alternated with instrumental duets and concerts of the historical cellon accompanied by Viola. The performances are accompanied by a spoken word to the program, artists and instruments, especially the historical cello. Musica Sacra 2021 competition; Let’s Sing 2021; The Città di Sesto San Giovanni 2014 competition. Teatro San Carlo di Napoli; Silesian Theater Opava; Teatro Verdi di Pisa; Teatro Goldoni di Livorno; Teatro del Giglio di Lucca; Auditorium Parco della Musica di Roma; Teatro Nuovo Giancarlo Menotti di spolerto; Teatro Morlacchi di Perugia; Teatro Rendano di Cosenza; Immling festival etc… Sung the role of Don Basilio, Timur, Banco, Rocco, Mephistophele (concert); Don Pasquale; Alidoro; Figaro and Bartolo (Le Nozze di Figaro); Masetto and Commendatore; Dulcamara; Nonancourt; Zuniga; Angelotti; Uberto, etc.… He regularly also focuses on projects focused on Baroque and oratory repertoire. His performances are characterized by a deep experience, cultivated speech and extraordinary artistic persuasion, which addresses the audience across Europe. He performs as a soloist at the double bass and the historical cellon, and solo played with the Janáček Philharmonic Ostrava, the Philharmonic of the Gustav Mahler Jihlava, the Haná Symphony Orchestra and others. It also deals with the methodology of teaching the game and is the author of the 8. It modifies and arranges the works of classical music, especially with a focus on the Baroque and Classicism period. Until now, he is a registered author of more than 150 publications. He works in the Philharmonic of the Gustav Mahler in Jihlava, the Moravian Chamber Orchestra and various Baroque orchestras. He is the founder of the Viennese tuning Times, focusing mainly on the interpretation of Baroque and Classicist music on the historical violon in the "Viennese tuning". Conservatorio Santa Cecilia in Rome. She is a soloist of Czech Ensemble Baroque, Siletium! Ensemble and Ensemble Inégal, also sang with the Brno Philharmonic Orchestra, Brno Contemporary Orchestra, and performed at the Concentus Moraviae festivals, Janáček Brno and many others. This year she made her debut in Bologna under the baton of Federica Marie Sardelli and at the Prague Spring Festival.
In the stone theater, she debuted in the role of an angel in the stage design of Haydn's creation at the Silesian Theater Opava in the production of Oliver Dohnányi. For the Na Orlí Theater in Brno she studied the roles of Otton (C. Monteverdi - Coronation Poppey), Marty (O. Mácha - Poapy infidelity) or Mother -in -law (S. Szocolaray - Bloody Wedding).
As a member of the Prague Philharmonic Corps, she sang under the baton of Semjon Byčkov, Jakub Hrůši or Tomáš Netopil.
On the basis of success in a foreign competition, she took a tour with the Monteverdi Opera Orfeo after Italy last year with the ending in the Greek Athens. She is a member of the soloist of the Viennes Tuning Times, who enriches the broad repertoire from Baroque to romanticism. She is a member of the Brno National Theater Orchestra, a member of the Orchestral Academy of the Brno Philharmonic and a member and a soloist of the Chamber Ensemble Viennes Tuning Times, focusing on Baroque and Classicist music. As a soloist, for example, she also performed in the Cycle of Young Blood of the Orchestral Academy of Philharmonic Brno, as well as a soloist and head of the VIOL group with the Vasiliev Island on Tour in Germany, France, Netherlands, Belgium and the SCL International Music Festival in Alicente, Spain. She is also a graduate of the Mürren Summer Music Academy in Switzerland. The violon with its Quart-Tercial Akordic "Viennese tuning" (A, D, FIS, A,) sounded fully, rich and libisually, but it was not easy to play in all keys and since the second half of the 19th century it was replaced by a more universal double bass (E and D G). Unfortunately, all Classicist compositions had to be reduced and rewritten, because otherwise it would not be possible to play on the current double bass. The contemporary interpretation for the historic cellon returns the original immense beauty of classical music as it sounded at the time of its inception.