This event has been ended!
Vyjdem z lesa, vytrhnem si chrbtovú kosť a budem ju mať miesto meča. SLOVENSKÁ PREMIÉRA
I will come out of the forest, tear out my backbone and have it instead of a sword. SLOVAK PREMIERE
Event by: Divadlo Štúdio Tanca, 2VA
Location: Theater Dance Studio, Komenského 12, Banská Bystrica
Tickets: Get tickets
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About event
I will come out of the forest, tear out my backbone and have it instead of a sword. / Выйду з лесу, вытягну хрыбет и он будет мене бесплатно мяча. /
I will emerge from the forest, straighten my backbone, and it shall become my sword.
~VI. rerun / 6th show
Belarusian state. A system that depresses and deadens. Crowds of individuals understood that they wanted to live differently. Talk differently. Breathe different air. Not won yet. It hasn't subsided yet. But the transformation has already begun...
The dance-theater event is the result of a collaboration between Czech and Belarusian creators and was created on the basis of a dramatic text by a Belarusian dramatist performing under the pseudonym noname67. The production is based on the text and on the direct personal experience of the Belarusian creators with suppressed protests and the subsequent liquidation of cultural life in Belarus.
Original text - artistic text: noname67 /blr/
Translation, dance dramaturgy, direction Tereza Krčálová
Choreography: Kateřina Stupecká, Helena Ratajová
Original music: Jegor Zabelov /blr/
Artistic collaboration, scenography: Tomáš Žižka
Costumes: Mariana Novotná
Lighting design: František Fabián
Creation and interpretation: Tereza Krejčová, Johana Matoušková/Jolana Šturmová, Helena Ratajová , Anna Wollemannová
Expert supervision: Romana Štorková Maliti
Project curator, realization and production: Honza Malík and PULSAR from p.
Protection / Under the auspices of:
Ivan Vyrypayev & Embassy of Independent Belarusian Culture
from the press:
“…Pulsar took up the topic of serious violations of human rights, the use of systematic torture and suppression of personal freedom as a stage poem. The weight of it falls on the viewer in a kind of literary gentle way. She gives him space. She is not hopeless. It shows the way to solidarity and individual courage. And in particular, it opens up a societal issue that we should know and think about in times of current wars." M. Faustová, 14/10/2023, Opera+
Co-producers: DIvadlo Studio dance, Kutná Hora Theater Festival , GASK Kutná Hora, CED – Center for Experimental Theater in Brno
Supported by: Zero position from. s., Theater X10, Cinohra National Theater Prague, Studio TEP39, Studio Dance Perfect
Financial support: MKČR, Hl.m. Prague
Acknowledgments / Thanks: no name80, Lucia Kašiarová, Czech Center in Bratislava, Ondřej Novotný, Kryštof Koláček, Roman Zabelov, Martina Pecková Černá, Karin Vrátná Militká + GASK Lecturer Corps, Lenka Dombrovská, Miroslav Oščatka , Vanda Košuličová, Helena & Jakub Urbanovi, Markéta Perroud, Lenka Ottová, Viktorka Knotková, Michal Nikodem, Marek Novotný, Jan Kadlec, Vojta V. Sláma, Vojta Brtnický, Jiří Jiráček, Daniela Voráčková & DV Agency
________________
The Belarusian state. A system that depresses and deadens. Crowds of individuals understand that they want to live differently. It speaks differently. It breathes different air. It's not over yet. It doesn't look like it's going to let up yet. But the transformation has already begun...
The dance-theatre event is the result of cooperation between Czech and Belarusian artists. It is based on a dramatic text by a Belarusian playwright. The production is based on the text and on the direct personal experience of Belarusian artists with the suppressed protests and the subsequent liquidation of cultural life in Belarus.
Original text: noname67 /blr/
Translation , dance dramaturgy, direction: Tereza Krčálová
Choreography: Kateřina Stupecká, Helena Ratajová
Expert supervision: Romana Štorková Maliti
Music: Yegor Zabelov /blr/
Artistic cooperation, set design: Tomáš Žižka
Costumes: Mariana Novotná
Light design: František Fabián
Creation, interpretation: Tereza Krejčová, Johana Matoušková, Helena Ratajová, Anna Wollemannová
Project curator, realization, production: Honza Malík and PULSAR association
review:
„…Pulsar has taken up the theme of serious human rights violations, the use of systematic torture and the suppression of personal freedom as a stage poem. The weight of it falls on the viewer with a kind of literary delicacy. It gives him space. It is not impotent. It shows the way to solidarity and the courage of the individual. And above all, it opens up a societal issue that, in times of actual wars, we should know and think about." M. Faustová, 14/10/2023, Opera+
Co-producers: Theater Dance Studio, Theater Festival Kutná Hora, GASK Kutná Hora, CED – Center for Experimental Theater in Brno
Supported by: Zero position association, Theater X10, Theater of the National Theatre, Studio TEP39, Studio Dance Perfect
Financial support: Ministry of Culture of the Czech Republic, City of Prague
I will emerge from the forest, straighten my backbone, and it shall become my sword.
~VI. rerun / 6th show
Belarusian state. A system that depresses and deadens. Crowds of individuals understood that they wanted to live differently. Talk differently. Breathe different air. Not won yet. It hasn't subsided yet. But the transformation has already begun...
The dance-theater event is the result of a collaboration between Czech and Belarusian creators and was created on the basis of a dramatic text by a Belarusian dramatist performing under the pseudonym noname67. The production is based on the text and on the direct personal experience of the Belarusian creators with suppressed protests and the subsequent liquidation of cultural life in Belarus.
Original text - artistic text: noname67 /blr/
Translation, dance dramaturgy, direction Tereza Krčálová
Choreography: Kateřina Stupecká, Helena Ratajová
Original music: Jegor Zabelov /blr/
Artistic collaboration, scenography: Tomáš Žižka
Costumes: Mariana Novotná
Lighting design: František Fabián
Creation and interpretation: Tereza Krejčová, Johana Matoušková/Jolana Šturmová, Helena Ratajová , Anna Wollemannová
Expert supervision: Romana Štorková Maliti
Project curator, realization and production: Honza Malík and PULSAR from p.
Protection / Under the auspices of:
Ivan Vyrypayev & Embassy of Independent Belarusian Culture
from the press:
“…Pulsar took up the topic of serious violations of human rights, the use of systematic torture and suppression of personal freedom as a stage poem. The weight of it falls on the viewer in a kind of literary gentle way. She gives him space. She is not hopeless. It shows the way to solidarity and individual courage. And in particular, it opens up a societal issue that we should know and think about in times of current wars." M. Faustová, 14/10/2023, Opera+
Co-producers: DIvadlo Studio dance, Kutná Hora Theater Festival , GASK Kutná Hora, CED – Center for Experimental Theater in Brno
Supported by: Zero position from. s., Theater X10, Cinohra National Theater Prague, Studio TEP39, Studio Dance Perfect
Financial support: MKČR, Hl.m. Prague
Acknowledgments / Thanks: no name80, Lucia Kašiarová, Czech Center in Bratislava, Ondřej Novotný, Kryštof Koláček, Roman Zabelov, Martina Pecková Černá, Karin Vrátná Militká + GASK Lecturer Corps, Lenka Dombrovská, Miroslav Oščatka , Vanda Košuličová, Helena & Jakub Urbanovi, Markéta Perroud, Lenka Ottová, Viktorka Knotková, Michal Nikodem, Marek Novotný, Jan Kadlec, Vojta V. Sláma, Vojta Brtnický, Jiří Jiráček, Daniela Voráčková & DV Agency
________________
The Belarusian state. A system that depresses and deadens. Crowds of individuals understand that they want to live differently. It speaks differently. It breathes different air. It's not over yet. It doesn't look like it's going to let up yet. But the transformation has already begun...
The dance-theatre event is the result of cooperation between Czech and Belarusian artists. It is based on a dramatic text by a Belarusian playwright. The production is based on the text and on the direct personal experience of Belarusian artists with the suppressed protests and the subsequent liquidation of cultural life in Belarus.
Original text: noname67 /blr/
Translation , dance dramaturgy, direction: Tereza Krčálová
Choreography: Kateřina Stupecká, Helena Ratajová
Expert supervision: Romana Štorková Maliti
Music: Yegor Zabelov /blr/
Artistic cooperation, set design: Tomáš Žižka
Costumes: Mariana Novotná
Light design: František Fabián
Creation, interpretation: Tereza Krejčová, Johana Matoušková, Helena Ratajová, Anna Wollemannová
Project curator, realization, production: Honza Malík and PULSAR association
review:
„…Pulsar has taken up the theme of serious human rights violations, the use of systematic torture and the suppression of personal freedom as a stage poem. The weight of it falls on the viewer with a kind of literary delicacy. It gives him space. It is not impotent. It shows the way to solidarity and the courage of the individual. And above all, it opens up a societal issue that, in times of actual wars, we should know and think about." M. Faustová, 14/10/2023, Opera+
Co-producers: Theater Dance Studio, Theater Festival Kutná Hora, GASK Kutná Hora, CED – Center for Experimental Theater in Brno
Supported by: Zero position association, Theater X10, Theater of the National Theatre, Studio TEP39, Studio Dance Perfect
Financial support: Ministry of Culture of the Czech Republic, City of Prague